Wednesday 28 October 2009

one man and his son

Medium/rare rib-eye Man has a penetrating stare,
Arrives prompt at one o'clock,
"No chips, no salad, no sauce",
Each Monday, he repeats with force,
"Just steak" and our generic Diavolo,
Spicy, but minus cherry tomatoes,
"And do not over-cook the pasta",
(Whatever you do), is implied by his
Menacing silence.

The cold blue pools which he uses
As excuses for eyes rang bells,
Reminded me of someone else,
A boy from years before
With a personality disorder.
I imagined him a cult-leader, master-deceiver,
And two friends attempted suicide
After spending too much time
At his manipulative side.

Fed something to smoke by Rib-eye Man,
The archetypal obsessive compulsive
Disorder-ing, compartmentalist Dad,
Arabic look and a heavy hand.
When they arrived together my hands shook,
As a righteous youth I'd seen straight through
His son! And as reward I received
Attempted phlegm in face (it failed), but
No wonder I hesitate to hand over his plate ...

When it's accompanied
By a shining knife for his
Dripping, bloody steak.

Tuesday 27 October 2009

portrait of my mother as a young woman

a series of photos; tiny in size, sepia in print
and with the quaintness of polaroids,
all telling the story of one girl's joy
on fistral beach.

knelt in skinny supplication with sand slipping
fingers and wind teasing waves of hair
whilst a teasing smile lingers: her grin combined
with unfathomable stare.

an itsy bitsy, teeny weeny, 60's print bikini,
upon a waist where there was none!
donned by a girl with a face that lacked lips -
typical quip, from my loved, self-critical
and only human mum.

an unobservant bloke thought it was me,
which i thought was a joke. i can see now
that there's something in it though;
the wispy waves, the elfin face, the chinese-eyes!
minus of course, the bemoaned, the groaned
and non-existent lack of bloody waist!

Tuesday 20 October 2009

mysteries of the human race

Why is it that foreign nationals
travel so far, only to find themselves
united by profession - for example,
the oriental nail technician?
or black african, plying
practical hair braids beach-side?
The eponymous taxi-driver or
corner shop owner,
do they seek to stand shoulder to shoulder
with their old compatriates?
Is it strength in numbers,
familiarity, or needs must?

And what's inside these teenage goths?
Are they in mourning
for their own innocence lost?
Cut arms, razor dragged straight down,
'Just get carried away
expressing my inner pain sometimes',
What the fuck?! Maybe it's just my good luck that
this was one inner turmoil I didn't feel.
But what of cults like these?
When we deride the human tribe
as something ancient, less than wise,
"Would you jump off a bridge
if she did? Are you a sheep?", we bleat.

nostalgia

Sherbet lemons and pear drops
in big glass jars on looming shelves
of old fashioned shops,
whilst wheelie men and wishing chairs
roamed free in words and screens -
and the wicked witch of the west
sent chills down tiny spines
even through the thickest thermal vest.

Every day, baby bottles
of milk with blue straws in school,
"Isabel has a dairy intolerance
and must have orange barley water, please"!
I took to the book corner;
there my love for characters took flight
as fantastical tales were spun
on golden looms, by people
with names like Rumpelstiltskin!

With princesses, thieves and merry men,
a mighty battle, a marriage - a happy end,
vague recollections swing by my
half-closed eyes like this.
Us feeding ducks by a babbling brook
in Hebden Bridge - "More, please"
I believed, they sang, as Grandma Lil
tucked me up in an old fashioned navy pram.

Before fish and chips as we flicked
through the Saturday night TV,
when Casualty was really Casualty
and Bruce's Price was Always Right.
It was all kiss chase and hair braids,
playground days making daisy chains
and Victorian dress up days,
"7 times 7 equals what, Brittain?"

When days stretched by like a
Never Ending Story
and ballet shows gave me all the
glory I could ever need.
I named my first pet, a guinea pig,
after my Auntie and Butter
and when it died, Pops thought it was
hibernating for days, the rotter!

What precious days these were,
when a plot for running away someday
could be hatched, with only a few coppers
and a gobstopper.

Monday 19 October 2009

breasts on a beach

From pert, pointed rosebuds which pout,
obscenely suggestive and urging on the
seduction of the lithe, the young;
they're conical, ‘like a virgin'.

Some remain this way infinitely,
others become full, ripe and red red red
like promising apples un-plucked,
but wholesome, loved and tough.

I particularly like those which seem skew whiff,
an oval shape which leans to the left
or right, but never straight,
a symmetrical nipple leaves me bereft.

There's peanut nipples, bullet nipples,
little and large, winking and grinning,
their alertness causing a ripple
amongst surrounding, sun-glassed eyes.

Then intervening years soften to sighs
all these, magnificent undulation
swooping onwards and downwards, like
graceful, tired birds (post-migration).

Through these
the next generation was raised;
suckling like the animals we are
we all began here.

Consequently, I cannot swallow the sight
of the hard, round boulders
which reach for bony shoulders.
I am distressed as I pretend to read.

Sunday 18 October 2009

living the (teacher) dream

i distinctly remember being VERY upset and defensive whenever the following conversation took place.

some person: "what're you doing at Uni?"
me: "english".
some person: "ah right. what you gonna do with that then? be a teacher?"
me (internally): no fuck you arsehole! i'm gonna do something glamorous and amazingly exciting, not teach little shits Shakespeare!

so yeah, stuff changes, you grow up! nothing glamorous or amazing magically turns up and you start to consider teaching (usual reasons; job satisfaction, security, holidays and so on...) sounds like a simple formula. except it's not really that simple.

i was ill a few weeks back, and my friend (who is quite the spiritualist), said to me "i hope you're feeling better soon - pay attention to your dreams when you're ill, they're important.light and love xxx". i took heed of this because bizarrely enough, it was only a couple of nights before this that i'd had the teacher dream. in it, i was an english teacher at my old high school. i'd never considered senior teaching before so this was a revelation in itself. i absolutely loved it. it was a brilliant dream and i woke up thinking 'oh my god! i need to teach!'

obviously though, you cannot 'live a dream'. such a concept doesn't exist, even if you're a rock star. there are downsides to everything, and whatever life you end up with becomes normal to you. living a dream is a con. so i was suspicious of how wonderful everything was in the dream. i was doing all sorts of creative stuff with the teenagers, which is probably unrealistic when you have so much ground to cover and so many exams to prepare for.

but let's not be negative, looking into teaching is actually borne of much more complex reasoning than the old stability/fall-back route reasons. it's all tied up with my new philosophy on life (see 'to the zen dog' for further information!) it's seeing life as a journey - living it, but not really expecting to 'get anywhere' as such. understanding life's impermanency so nothing is forever. feeling free to change the course of events if need be (i'm young, free and single! woo hoo!) obviously, this course of action is hugely influenced by my belief in education for education's sake (a brilliant philosophy hammered home by my mum many times over).

it's to do with wanting to put something back into the community and share my own passions. it's also related to other things i may like to do in the future, such as creative writing in the community/something community arts related. i'm slightly concerned about the targets and testing culture in schools, which i'm not sure i would get along with. however, perhaps once qualified i could look into alternative methods of schooling? i don't know much about it right now, but the montessori/steiner waldorf schools seem to have an interesting viewpoint on education.

hmm ... what to do with my life? that old chestnut! it's all good, i think things are moving slowly in the right direction. just one day at a time and always enjoying the ride! "when i let go of who i am, i become what i might be". wise words, whoever said them.

black, white or grey?

Lora White
always shades of grey...........
October 9 at 12:59pm · Delete

Isabel Brittain
That's what I think too, but just doing a bit of research
October 9 at 1:12pm · Delete

Nataraja Sutherland
Don't think feelings are just black and White
October 9 at 2:01pm · Delete

Elise Norman
Even black can look white in certain lights (look at a binliner - parts of it will look white) and vice versa...beauty / black / white is in the eye of the beholder!...it depends whether you're talking about primary or secondary qualities (primary = inherent, actual, secondary = our perceptions of them and whether these are reliable)

With regard ... Read More to human emotions / situations, firstly humans aren't binary, second kinda depends on whether you believe in free will or determinism. Blah blah blah how bored am I?!! Hope you're well hun, you jetting off to the slopes again this winter? I can't wait to go again!xx
October 9 at 2:16pm · Delete

Eduardo Collinsio IV Esquire
Even the colours black and white arent simply black or white, nothing is ever so simple I think, but its sometimes good to think of things in the most simple way possible...thats my 10p's worth

Nataraja Sutherland

A chess board is black and White!!!
October 9 at 2:55pm · Delete

Tim Wilton-Davies
In theory things are digital but in reality everything is fuzzy, analogue.
October 9 at 7:45pm · Delete

Isabel Brittain
I believe that life is one long, large grey area and that we shouldn't presume that anything is definite or fixed. Confusion, circumstance and variety are in the general nature of things. However, utilising this same logic it's impossible to reach a conclusion about anything (including whether or not anything can be black or white). A spade could just be a spade, or it could be a bloody wheelbarrow. That's why life is so flipping complicated!!
October 11 at 12:59am · Delete

Lee Rothery
I have a pair of dice that disprove this
October 12 at 11:18pm · Delete

Lee Rothery
It's the rich tapestry..I believe its black, white, grey and sometimes green, yellow, blue, it's a bloody rainbow, a never ending rainbow that shouldn't be questioned. Just enjoy it for what it is..I'm so excited for Thursday!
October 12 at 11:21pm · Delete

Friday 16 October 2009

the buddha's monologue

I sit, fat and bold,
Wooden but not cold
In a corner, here,
With rippling folds of sculpted skin
On a shelf, by the windowledge.

I am an icon,
Religious, revered (but never feared),
Merely a statue, here.

You look upon me as a comfort;
"Every house should have a Grateful Dead CD and a Buddha"
Said Stevie B - he was speaking of me -
That tall, silver-haired one with a stoop.

I just sit here
And if I imbue a smile,
As a specimen of a more balanced
Empathetic life,
Then I am pleased.

I know what I represent,
The ideals that my form defends,
"Worship not false idols', they said,
But in the end, who's to say what's false
And what's not?
Does it matter alot?

If I can induce a feeling of peace
Then my stock-still life has been worthwhile,
I feel my power in hours of desperation;
I may not move,
I may never walk, or run,
Go out dancing for sheer, unbridled fun,
But I am aware, all-knowing,
My purpose is true,
I just like to keep the love flowing for you.

the french girl

I ducked down behind the wall, throwing myself onto the concrete thankfully. Licking my lips in an expression of fear, I sat perfectly still and contemplated the events which had brought me to this hiding place. I had first spotted her coming out of Tesco’s three weeks and two days before. She was wearing a mustard yellow coat with over-sized buttons and matching navy hat and gloves. Fashionable, I’d say, and elegant, certainly. In her hands, and weighing her down, were two well worn, re-usable shopping bags, emblazoned with the words ‘respecter pour la nature’. Was she French? I had wondered, intrigued already. She was enchanting, all slit-eyed and angular in the face, with a tall, statuesque figure. An aloof and intriguing Parisian, perhaps? Maybe she was a student, learning English at one of the Universities?

Or - and this was my favourite - she could be a dancer, she definitely had the lean, highly-trained body of one. I imagined the delicate, feline grace of the movements that this wavy-haired, quiet beauty would create. My breath caught, as her kind, twinkling smile startled me from my feverish reverie. She emanated friendliness and I knew that she was the kind of person people warmed to. Unlike me, so very unlike me, but opposites attract right? In response, I slowed as I passed, and for a moment I thought that she would speak to me, with rolling r’s, and i’s like long, drawn out e’s. When she didn’t, I hesitantly opened and shut my mouth once or twice, but no plausible conversation starter formed. She seemed not to notice, and so I watched her cross the road, stopping briefly to swap the bags in her hands as she entered the park, before disappearing from view.

I was furious with myself for days afterwards. What an idiot, I kept thinking. What a bloody fool. Why couldn’t I just have spoken a normal everyday sentence – a point of contact at the very least. Nothing flash, just ‘lovely weather out’, or simply a pleasant ‘hello’. Anything would be preferable to that open-mouthed, face like a fish expression that I had such a capacity for. But as usual, it was too late, and I had let the opportunity drift away on the Autumn air. At the bottom of my thoughts, was the niggling knowledge that I shouldn’t even be attempting such things anyway. I knew too much to put myself under the pressure of forming new relationships so soon. But I felt so fine now; the seasonal shedding of the old that was evident all around had made me feel fresh and new again, and the French Girl was beckoning.
I walked home, hands in my pockets and taking care not to step on the cracks, with an agitated emptiness of white noise blocking my ears. In the hospital, I had been taught ‘coping strategies’. Coping strategies for a solitary life - stuff that, my mind screamed. And when I was so positive that she and I would get on - I pictured The French Girl again. She would share my love of Georges Bizet. We could wrap ourselves in a cocoon of friendship and sit on park benches enveloped in its warmth. She would introduce me to the best French cuisine in a little known cafĂ©, and I could impress her with my extensive knowledge of her nation’s history. We would walk everywhere, arm in arm, heads close together in comfortable intimacy, as we discussed life and love in all its techni-colour glory. I was aware of the contrast that this image struck with my own existence, but I never gave up hope that the rosy glow of well-formed relationships would one day cast its light upon me.

Back at home I twiddled my thumbs, switched on Countdown, and made a cup of tea. Three rinses of water when I filled the kettle, milky, my favourite red mug (free with multi-packs of Kit-Kat some years before), and two shortcake fingers on the side. I washed everything thoroughly afterwards, and began to feel a little better. Concentrating on the TV and the rhythmic rolling of Carol Vorderman’s voice soothed me. I cleared my mind with numbers, sums, and order. I have always liked balance; equilibrium is my favourite word. People may think I am weird, but I can’t bear chaos. A long time ago it wasn’t like this. I had plenty of friends – I was normal, bright, and loved. But out of nowhere came the mood swings, the loss of focus. Then the swirling confusion, the worsening panic attacks, and in the end, the incident concerning the girl in my halls and a series of letters. I only wanted to help her, but it all went horribly wrong somewhere.

However, that’s not something I think about now. They said that I have repented enough, that nothing good can come of constantly rearranging the events in my mind. What’s done is done, and I can only learn from it. Thinking thus, I was content as I prepared for bed. I knew I was a good person; I just had an odd way of doing things. Looking out over the park, I wondered what other lone souls were also staring out at the black, starless sky of the London night. It was a faceless city, and I knew a foreign girl would need a friend - somebody to protect her vulnerable beauty. I arose early on autopilot; packing beef spread sandwiches and a flask of de-caf into my back pack along with my latest historical novel. It was about the other Boleyn, sister of Anne, and I thought it was disappointingly evident when reading it that women’s relationships hadn’t changed much. I walked towards Tesco’s, and settled opposite on the low wall of Natwest, which would be my vantage point.

I watched and waited for days and weeks. I left for food and bed in the evening, but I couldn’t sleep. Insomnia had always been a problem, yet on the wall things were peaceful. I enjoyed watching the world go by; I studied the people who passed one by one, wondering what their lives were like. Every so often, I would get out my pocket watch to check the time. It was an antique left to me in my Grandfather’s will and I treasured it. Sometimes I stared at it with such intensity, that I was almost positive that in that moment, I could have made time move. It was a thought that was both tempting and repellent. It was at a moment like this, after three long weeks on the wall, when I finally saw The French Girl again.

She was getting off a bus, a huge pile of library books in her arms. So she was a student. I stood up, walking discreetly along behind her at a reasonable distance. I had no plan, but felt strangely calm - a rare moment of tranquility. A few seconds into the park full of twittering birds, the girl dropped one of her books. She had been struggling, and it just plopped off with a satisfying plunk. I scurried forward to help, breathless with excitement. She looked at me a little suspiciously, but smiled a small smile, and nodded her head in an acknowledgement of thanks. I then took the alternate fork in the paths across the park, and swung back when she was almost out of sight.

She rounded the corner into a row of tumbledown and scruffy Victorian townhouses. She glanced back occasionally, and terrified that she would think I was following her, I slowed to snail pace. Inside number nine, she put on the TV and made a cup of tea, I imagined, just as I had after our first meeting. Eventually, I could bear no more. I marched towards the door, and rapped hard twice with the knocker. My whole body shook that she would not answer, and that she would. Seconds passed and my nerve was lost. As I stepped down onto the pavement to retreat, I heard the lock sliding open. Unthinking, I ducked down low behind the wall that shielded me, throwing myself against the concrete thankfully. Heart in my mouth, head in my hands, I contemplated the events which had brought me to this hiding place.

starting to write

i've recently begun attending a short creative writing course as part of the 'word of mouth' calderdale writer's and reader's festival. it's just what i needed at a time when i've finally started to see my literary ambitions as something to fully embrace. it's no longer something to be embarrassed by - if my writing is crap, so what? i enjoy it and express myself if nothing more and being scared of failure is no reason not to at least attempt to follow your dreams.

the course also comes following the recent revelation that i don't have to be unhappy to write! in the past, most of my most prolific periods have been during bouts of mild depression and general misery (if my pathetic self-pitying wallowing can be called that!) i now know that this is not the case, that creativity is not borne primarily of strife and that i don't have to be such a bloody drama queen. i will always be a drama queen anyway, but that's another entry entirely.

looking back at my old blog i found the following dramatic pondering on poetry and art. i still think 19th century American poet Carl Sandberg, was spot on when he said that poetry was 'like the opening and closing of a door, leaving those looking to guess what is seen'. this could surely apply to any kind of work of art?

it's interesting when reading the remainder of the post in relation to my recent change of perspective and shows how easy it is to mistake drama for truth and tragedy for art. not that i'm suggesting this is never the case, just that it's a restrictive, singular view of art and the world. there are other options and perspectives, but for some reason this is the one that stuck like a scratched record in my head for years ...

Nov 02 '07
The guy writing the article (Larry Towell - a photographer) comes out with a few belters of his own.

He writes of another photographer;

'[He] has documented many world tragedies ... yet he has not hardened his heart because, in the cobweb of political deceit, he manages to find a seed of truth. For every act of hate, there is a revolt against hate; for every act of violence, there is a revolt against violence'.

And from here goes on to say;

'Photographs remind me that a photgrapher can redeem his own existence, and the existence of those around him, by observing small beauties and hopes in apalling times'.

Those quotes apply to any kind of portrayal of tragedy through art, be it through photography as in this case, or through any number of other mediums.


let's leave behind the poetic tragedy of pondering again and return to the here and now. the teacher of the course is a writer called stephen may who has written a novel called TAG, a guide on how to teach yourself creative writing and also has a couple of plays under his belt. one day i hope to be able to make a living from my own attempts at creativity. i'm starting tentatively, but who knows? the beauty of our journey is that we have no idea where it will lead. stephen may is the first, real-life, published fiction writer i've met i think, and it's inspiring. even at university, i don't remember actually chatting to any writers, and it makes it all seem so much more within the realms of possibility.

which brings me to the memory that there was a poet who lunched at la luna recently... what was his name? ross kitely, i believe, though i googled him to no avail so i could well be wrong. he threw a few interesting words of wisdom in my direction that day.

i asked him what he was writing since i could see that he was reading a book of poetry written by women, and at the same time scribbling away. to which he replied that he was a poet, writing poetry. intrigued, i muttered shyly,

'i try to write poems sometimes'. he laughed a little, and said challengingly,

'come on, you either write poems, or you don't. simple as that. which is it to be?'

since then i've been (silently!) repeating the mantra 'i write poems' daily. soon i'm hoping i will also be able to muster the ounce of self-belief required in order to repeat 'i write short stories too'! and one day, i know i will be staring into the mirror with a look of steely determination in my eye - murmuring positive affirmations and visualising the fantastical objective of a completed novel. any novel at all, really, even a crap one would do! it's really only a very recent phenomenon that i can admit to this desire, so deep has it been buried in my psyche; along with dolls, enid blyton books and other remnants of my childhood self. how dare we dream?! that's what adulthood seems to teach.

however, i can't deny that many of the qualities required for writing are learnt in later life. of course much of it is imagination, but a massive amount of it is hard work. i'm a little worried that i don't have the stamina for a novel really. i've flitted about like the little faerie that i am, enjoying so many different pastimes, and i have to wonder - is this really the one? not so long ago i was convinced that i would stay in the mountains forever, frolicking in the snow and organising freestyle events with a little hospitality management thrown in as a back-up. prior to that i was completely and utterly lost. preceding that i almost sold my soul to the pr industry! at intermittent times i'd like to just sell every last belonging and travel the world as a free spirit, amassing wealth in the form of experience as i go. once upon a time i was going to be a prima ballerina, or alternatively a spy for mi5. i am 'interested in a lot of things but committed to nothing'? as for shantaram, this has been my constant anxiety. lately however, due to finally getting an inkling of perspective on myself - i've genuinely come to realise that the one constant, the one thing i always come back to - is writing.

a while back i read and saved an article written by murakami on the similarities between long distance running and novel writing. there were several parts that struck a chord - including his unconventional description of his 20s as 'ten tough years', without which he doesn't believe he would ever have been able to write novels, even if he'd tried. one particular quote always returns to me;

'writing is itself mental labour, but finishing an entire book is closer to manual labour'.

maybe someone should write a self help book for struggling writers? there's a definite gap in the market and there's no doubt that there are enough of us to allow bestseller potential.

Thursday 15 October 2009

a scarf short of a sandwich

People are strange, sang The Doors,
And they was bang on, Mom, don't ya think?
Ill mental health for one in four
And we all just gotta hope the floor
Doesn't open up -
To assist us in our will to sink.

And the sane are few and far between
If they exist?
I'm doubtful Doctor, that many minds
Live in a 'normal' realm,
It rarely seems to be
Something we can outwit.

Drug induced or genetically anxious?
Panic attacks or a lifelong madness lived?
In which beside yourself, you sit,
Trying to make the pieces fit
On the jumbled jigsaw puzzle
(That's your brain).

Does anyone really float
Through life on a hardy boat oblivious
To all kinds of mental delirium?
Staid, placid, steady away,
Impervious to the madness
That surrounds their steadfast steed?

And "Why do you wear that
Thing on your head?" I said, intrigued,
"For protection of course",
"But protection from what, my friend?"
"Exotic birds and stuff",
And the next time I saw him

He'd shed this scarf,
I don't know what this means.

taking up arms

Justifiable, ever?
And looking to the skies above
Never helps. How to answer this?
We've yelped, for century after century
Of tired, war-time reverie,
How to let go
Of year upon year,
Generations of low blows
And bombs dropped
By one side or the other,
It's like a lover's tiff grown big -
Magnified ten thousand times, until
Who knows what started it in the first place.
The circle of life goes on like this,
Ironically opposite to the joy of
Elton in Lion King!
With each newborn, it ain't always joy
But a seed of conflict that lives on,
Becoming a bloody declension
Of feud, counter feud, guerilla warfare
And the artifical separation and division
Of Man, until ...

BOOM, utter annihilation
In a grey mushroom death cloud
Which scatters vegetation and human matter
All over the place,
We will all find our shroud here,
As the four corners of this space
We thought was ours, stands destroyed,
And in the final hour we'll see, at last,
It's not you, or him or me,
But us! That matters,
For the only so-called sentient beings
We're mad as fucking hatters
It seems. Oh please!
Let's not flatter ourselves
With notions of next level concepts and
Pacifist philosophy,
Very few of us have the foresight
And dedication of Ghandi!
Let alone a truly equalized love
For all humans.
For this would truly be humane,
And it's plain to see from the historical scrolls
That our race is far from tame;
Belligerent and boastful,
Arrogant yet remorseful,
We'll go on until
BOOM - utter annihilation,
Where fuck all remains.

i am a feminism

hourglass-shaped and fair of face
with whirling curls, long scratchy nails
and an itsy bitsy, teeny weeny waist.
with glitter and dyes and all things nice,
shoes with elegant, crippling heels and
worn by a being with a deeper propensity to feel
empathy? than their counterparts.
it's biologically proven; life-givers are surely,
by nature, upstream swimmers
created and fated to nurture our young.

in my understated way
i consider myself a feminist,
still today, it’s a mission which is necessary,
i’m not being contrary or facetious
just stating a fact,
and if you don’t like it boys, lump it!
i will go on blowing this bloody trumpet
for Womankind,
i only wish i could be thus without the misconception
that there is some deception involved,
some master-plan for female domination
(yeah right!) i’m fighting a good fight,
i merely believe in equality,
a woman’s right not to be marginilised
in-or alternatively-advertently
by mtv or militant factions;
the taliban; for relevant
contemporary example.

i want to have a hand in ending the violence
which still occurs, year on year
(the statistics speak for themselves, my dears),
there are plenty of ladies out there
living under different laws than we
and harbouring an age-old, visceral fear
against sublimination, the potency of
degradation -
can you hear her collective call?
we live in a global village after all, girls.

the Vagina Monologues, the various books –
all ‘Written on The Body’ of ‘The Second Sex’,
over these, i wept, again and again.
is it a matter of education, culture, nature or nurture?
my question was answered, mid-kitchen,
where trolls in the glen were consorting again –
and ‘ah, i see’, said murat the chef,
post dissection and explanation,
‘you are not man-hating lesbian -
and in that case, i am a feminism’.

the last of you

i have left the last of you
in france, amongst mountains and a pub,
the site of our love's last dance,
we gave it more than we should -
some second, third and fourth chance.
before it finally flew away, that persevering dove,
i gave it a shove on it's way,
so did you, when we both played away.

you wouldn't let me be true, you see,
you understood so much,
but only a little prickle on the tip
of the confusing pickle i was in.
i had to leave to live,
on this we both insist
agreement,
endearment,
and fond, faded memories linger
as i point with a finger
to the happiness that ensued
in both our hearts
when we departed each other
and started again.

alone, but together,
in more honesty than ever.

freedom of choice

Hereditarily tainted and
Horoscopically weighted
Towards over-sensitivity, home-making
And procreativity -
What law is this?!
That insists we are but product,
Nothing new, me and you,
Not an unblemished seedling, a newborn,
But a culmination of feelings not our own.

That thought elicits a yawn from me,
For how can we face dawn each day
With the requisite freshness, energetically restless,
If we feel there is no choice?
There must be another way,
A place where freedom is voiced,
Not a karma hotel or a bottomless well
Of idea, theory, such crap as heaven and hell,
Oh the stuff of language serves well
But for one thing –
expressing not the wordless notes
we hope to sing.

the stuttering healer

Seeing pain everywhere is a curse
But much worse, if you envisage
The source of this as
Having an alternative,
A utopian world of light, great loves
And three hugs a day!

This feeling sways mountains
From simmering darkness,
But it's all much of a muchness
If you can only mutter
Half-held hums of a feeling
That forever resign you
To stutteringly healing.

finding yourself

We talk of finding 'ourselves',
a well worn phrase
suggesting a search
for identity, meaning, or more often
freedom. Like bluebells,
it floats away
as we land amongst
the waifs and strays.

Values are kicked to the kerb,
Nerves frayed by years
Of Searching For Something -
To be or not to be?
And what was the question?

dancer's heart

The long, lean limbs of a dancer
Prancing taut, throughout the room,
Immune to the eyes that follow her everywhere.

She learned long ago not to care, for those
Who could not bear her beauty -
Wanting only to use it, abuse it.

Hate her/revile her,
They tried every torturous device
But they could not scar her.

Her spirit was strong,
Enamoured of music and movement
She lived in unspoken communication,
Releasing endorphins, the denouement of which
Was elation.

One limb of hers speaks infinite words of wisdom;
Sprung from an urge uncontrollable
She dances, no longer doubtful
As her body writhes in time with
Beats and sounds.

In tune, she drops out
in this, the eternal, primal shout.

concentration/escapism?

In chess, for example,
people are different.
Focused, immune to the room
surrounding them.
Keeping eyes fixed on the pieces,
realising the importance of every move
they make.
Yet not quite intent:
as we all should be
more often
in life.
Unblinking,
on a different level,
but not escaping, in drinking,
drugs or addiction to fallible notions
Of Love.

talking to strangers ...

is a favourite pleasure of mine.
in fact, i would even consider it
a pastime, which when indulged
allows both to discuss what we must,
learning worlds from one another
with the camaraderie of long lost brothers
(and sisters ... why do they always put it such
anyway?) and so be it if sometimes,
my innocent, friendly overtures
are met with disdain.
i try not to let this cause me undue pain,
for more often than not
a smile, a few words,
an interesting exchange
takes place,
and on some level,
we're all one and the same.

and what is life without this?
the interconnection between
two directionless souls,
the fleeting moment of alliance,
a wholly human defiance
against the solitary nature of things.
i often think, if only we could sing this song
together more often,
suspicions would soften.

to my favourite poet

In the twilit dancer's night
We had our first creative fight,
You said you lived wholly in poetry
In a world of verbs, rhymes and metaphorical signs,
Immediately, I disagreed
With what I perceived to be
An extreme philosophy.

I attempt daily to tread, a wire-fine line
Between a lonely word-filled world and reality.
Writing poems every once in a while
And hunting for the middle ground, whatever that means:
Directions/suggestions on a postcard please?
I keep a check on my tendency
To be dramatic, frantic, manic even.

As afore-stated:
A kaleidoscope hides inside my head
There shards of colour live,
Behind temples - varying roads exist
And if I lose my grip
It will be my sanity I kiss
Goodybe, on the swirling hallucinogenics
Of this almighty, inward sky.

So ... I require
8 hours sleep,
Several long, brisk walks
Per week,
And a balance between
The words and
The ordinary world.

I know what my souls needs,
I am the practical, pragmatic poet
And so I dutifully plant the seeds
Water it, daily,
With mental preparation,
Exercise, always checking
That I'm on the right side
Of the invisible line.

Engaged, but disengaged
Enough to create
It's an art in itself to find
This hidden shelf
Of balance,
All the way back in the dark
Of my bizarre little brain.

Somehow, running, walking, yoga
All of this. Has become integral
To my mental health
As I strive each moment
To no longer torture myself.

on the mountain top

The weather and wildness of hostile environments
Was where he found his home,
Like Ray Mears, he sought to live beneath
The open skies, a quiet, austere life
Amongst majestic mountains
With fountains of knife-rocked tips
Forever attempting to slit the new sky in two.

But even the wanderer gets lonesome sometimes
And eventually we find, a home is not a home
When we live there alone.
And the top of a mountain
Can seem an inhospitable place
With wind battered rocks scattered
Across it's awesome, snow-struck face.

We respect it, fear it,
Feel it's supremacy within,
Yet something drives us to conquer this,
To scale it, race it,
With a single aim in mind -
To absorb it's earthly power beneath
Our human feet.
To resist the urge to retreat,
To stand, all-seeing at it's summit,
To be above it -
This world, these clouds
And all our mortal doubts.

It's a con of course,
We must never presume to know anything at all,
Least of all, that we are ever
Exempt from nature's cruel, indelible force.

lessons in love

Dandelion love was strong and staid,
accompanied by a stream of sun-blessed days.

A simple boy, with uncomplicated ways,
like a fresh-baked loaf - he was hot, when sold.

His owl eyes were saucers,
eager, always, to hold a cup of our dandelion love.

Poppy love was obsessive and drugged,
an opiate passion bringing soaring vistas for star-crossed lovers,

Entwined in eternal embrace we were unaware of others.
Lost inside consuming desire, with roots like weeds
which lacked love's wings.

Beware the poppy; enigmatic with inscrutable ways
and empty eyes that wait like flies,
eager, always, to catch a greedy gulp of your poppy love.

a warning against fairy stories

mother's always warn
pf wolves in sheep's clothes,
men with eyebrows that meet
in the middle,
and anyone who calls
the violin, 'fiddle'.

beware
the golden hair,
the brown owl's eyes -
do not be fooled,
remember, always, the golden rule!

for there is no riddle,
it's written in stone
somewhere (over there)
'every (wo)man is an island,
not one of a pair'.

notes on relationship

i'm trying to learn, not equations or Shakespeare, but how to be free - in the true sense of the word. pleasure derived from desire lights all too easily the funeral pyre, called thought. and life is frought enough with pain, misery, conflict and suffering. these we are taught from ages past of rage against the machine we find ourselves in. the subliminal conditioning that prevents us from ever experiencing True Love, in the immediate, spontaneous sense. where conflict has no place, where peace and love could truly live amongst our human race.

i strive daily to short-circuit the negative emotions which hinder the light of love. i mainly try to see myself, or i, as nothing but flux. a being at once, both whole and separate. trying to fly with clipped wings, through a learned process of thought and preconceived notions of what real life is.

thought process - memories response to lifetimes of accumulative woes, experiences, knowledge. what happens when it's stopped? is blocked? not when you drive a car but when you SEE, clear as an indigo ocean, that the me and the image create only limits. belief, conflict, psychological content, are one and the same. we need freedom from this skewed perception of truth, shallow, repetitive as it is. and then, when relationships lack such roots, perhaps we will find an alternate mode from which to view reality - from whence we accept, understand, and are liberated from life's bittersweet impermanency.

freedom, that sought after feeling, or is it emotion? not to be found in freedom fighters or highly esteemed writers. but often hiding shy in a blustery wind or a face up-turned to sky. freedom, that sacred thing for which the caged bird sings. this thing, inexplicable and irrevocably pure. but are we sure? does it really exist? sometimes i snatch a glimpse, a moment of illuminating white. a blank, bright light, where nothing really matters, but this.

sleepless nights

Turning into a night owl,
it seems I've fallen foul.

The hours pass like friends
long lost to far gone woes.

The minutes pass as love's
first throes distort.
And tick tock, tick tock,
strikes the mocking call of

the watched clock,
it continues, merciless.

As night falls words whisper
to me in darkness

and the orange glow,
doesn't help to haul

me into the oblivion of sleep.
I desperately breathe deep,

understand need and release,
let it escape through the attic window.

I sigh my limbs into submission,
make my confession.

Drift into the bodies' rest;
the mind's
final, and grateful delirium.

ode to the poet

Poems, too, are like tattoos,
once paper to pen, is put
idea / desire fuse,
and the poet has nothing to lose,
with one foot in this lonely writer's world
and one foot in his shoes.

the kaleidoscope

a kaleidoscope hides inside my head
there shards of colour live,
behind temples, varying roads exist
as a long goodbye
to childhood i kiss.

rainbow spectacular behind my eyes
so though they're wide, i cannot see
just burning shapes in angry reds
as a profusion of paths
grow tangled in my head.

cacophony

A series of harsh, discordant sounds
gloriously inharmonious in their delivery.
I enjoy the internal series of 'c' sounds,
nice and harsh like 'ark'
or for example: the clickety clack
(of a cricket bat) and the crickle crackle
of firework rattle.

Yes Cacophany,
can be this series of 'c' sounds
without which clip clop
could flip flop,
And callous would not sound so
satisfyingly round
for it's synonym.

Cacophany,
discordant and dissonant,
the black sheep with unruly bleat
and generally describing the din
of a hundred children in hymn -
but without which,
their curly wurly's and treasured
twirling would not look and sound
so round, like their namesake.

Oh Cacophany,
your hoots, cackles and wails
entail more than straightforward harmony,
your beauty rests in unapologetic,
uproarious imperfection,
for this we love you so.

Cacophany -
what an indefatigable world
you live in.

Wednesday 14 October 2009

black sand beach
















Above grainy, black sand
lies a settlement of cave-dwellers;
bohemian-gypsy-beach-lovers
with a bed under the stars.
Sun-bleached, few clothes and matted locks,
their little home an additional beauty to the landscape.

There I ache to watch these waves break
each morning, noon and night,
to hear this sea sing,
crashing unknown boulders
from my bewildered shoulders,
as sparks of sunrise cleave to twilight.

I would care for this sand in my hair
and bare, brown days spent star-limbed -
suspended, up-ended from routine -
by a rising and falling upside-down horizon
observed often, from eye level.

Imagine I, drifting free,
submerged in salted silk.
Fluffy intervals float lazily overhead
and a careless coastal breeze
defeats impassive sweat,
raising goose-pimples, hardened nipples

and a single, sunless shiver in days
spent under warming rays
on this black sand beach.

Tuesday 13 October 2009

the flame-flower myth

for sian lucas (inspired by a true story)


a flame coloured flower
lived there ‘once upon a time’
amongst the daily grind
where none other would care
to remain, if given a choice,
in possession of voice.

that was it’s bittersweet life,
fated to incite wonder in only one
similarly flame-haired and young,
by virtue of it’s orange hue
of wanderlust and the
heady musk of sensuality.

this miracle of life, a specimen of strife,
touched, revolted and assaulted
her sensitive approach to dirt
and where it lurks.
the juxtaposition
of the flower’s ambition

to grow, to bloom amongst this
room reserved for human shit.
she visits often,
the call of nature softened
by the surprise each time
that the Flame-flower’s life persists.

it affects her, directs her,
to examine again the sight of this
sweet flower that lifts her from the dark
of an wasted day at the desk.
oh poor wretch!
it strains, strangled of oxygen,

plagued by the toxins
it’s visitors ingest and expel
into this excrement-well.
it’s degradation is, at best, unfair,
reduced as it is to living, dying
in this tiny square of earth.

it hurts to look and this girl
can no longer gaze upon it’s beauty
with human impunity.
she dares to care - even the rose
looks lonesome sometimes,
particularly when it shines
in this dank, dark light beyond compare.

behold the lowly flower in it’s pot
which can teach us a lot.
it seems to be a mirror
granted gleam, a little shimmer,
and an accurate reflection
of our careless human waste
in all it’s arrogant imperfection.

yet she is not selfish
(having learnt hard lessons in life).
despite youthful exuberance
she's wise beyond her years
and so she is not sad, but glad,
and laughs with mirth upon discovering
that the fire-flower is myth.

made in china
the flower laughs behind her
and oh what a laugh
that it’s life is not this!

she eats books

‘She eats books’:
For this, I was receiver of the
‘Proud Mum’ look.
Naturally came my
words: a vehicle for my expression,
tender, hesitant at first,
and often was I anxious
that I could only find
the time to write
during bouts of depression.
That creativity was borne
primarily of strife,
an extraordinary life
and experiences beyond the
common wo(man)’s comprehension.
I sought soaring vistas
for star-crossed lovers
and a worth of other experiential
abundance.
And so at nine,
a thousand times I cried
for a life less ordinary,
to inspire my limited powers of sorcery.
I yearned to express my vision
with words of wisdom.
I remember, begging
to move to some glamourous location
and abandon all direction
home. Be interestingly bohemian
Mum, please?!
Wishing for blood and gore
even times of war – heaven forbid!
To inform my poor scribbles,
my youthful drivel
and rhymes of a life
less ordinary
than this.
I was dramatic, eccentric,
silver Doc Marten’s
weren’t seen as harmless
at Rawson J&I.
For a while I sighed, lost all interest
in anything
let alone my paper and pen.
But I turned back,
found grit and realism
entwined with idealism,
often concocting the most bizarre plots
with little girl lost as heroine.
I’m still doing this
I think. Perhaps one day
I’ll see it in PRINT!!!

the windowsill of impermanence

a child’s first shoe,
tiny, personal antique
that child was you
once. and what better way
to celebrate impermanency
than by observing the rate
at which we change
all through the journey
made by a single shoe.
five chubby toes,
one unblemished heel
lived here.
you teach us all
a lesson in living,
blessed shoe,
as we lean to view
the world outside.
the sky, the clouds,
the ever-present hillsides,
allow one more glance
at the ludicrous dance
of our self-preservation.
until, i spy
with my
philosophical eye;
the watch.
broken, beaten, but not defeated,
it still tells the time,
as if it mattered.

the sick poem

beautiful night:
party raging/music playing,
beats in throats while bodies float
and youth celebrating freedom, at last.

above: vomit in a basin
and two enveloped – not in love
but waves of hair, held back in place
with a pianist's hand
from a sallow face.

here lies:
an undignified moment
in all it’s grace.

iridescent with newness, diversity
and skin that is flawless,
a thousand sights, like this
upon the night skies -
who are we? youth of this space.

walking up' ogden

separate yet together, we walk,
side by side amongst moor-deadened heather.
during these times it’s rare we talk,
keeping eyes steady on the horizon
where skies are spliced with white
and graceful structures circle
as hilltop air fills the benign spikes
of these mills with life, of a kind.

clouds hang low, a purple-grey vision,
holder of the sweet aroma of rain,
as we obey the rolling rhythm
driving onwards, easing human pains.
one foot after another, we walk,
all else asunder. this is the silence of a sunday,
but as we go, we are aware,
not fools - we know that soon is monday.

still now, breathe freedom
as the valley unfolds
the striped haphazard perfection,
the fields that fill me with hope.
‘it’s like time’s gone by’
we nostalgically sigh, and oh!
for a simple life; amongst rolling hills,
green fields, and my beloved, dry stone walls.

Sunday 11 October 2009

the glory of the ride

this is not going to do what it says on the tin. when i talk about the glory of the ride here, i’m talking snowboarding.

pure and simple, sweet snowboarding. surrounded by mountains and the majesty of nature. wind whistling in your ears as you pick up speed, all worldly worries falling away. no cold, no fear, just exhileration as you descend, the rhythmic, graceful movements occurring naturally now. it’s as though you and the mountain are one. it’s beautiful and white, and you feel so at peace. your mind is crystal clear and you feel both the power and mortality of your human body.

but then you’re interrupted, by the sight and sound of several hundred skiers. french instructor at the front, shouting ‘bend zee knees’ and looking like a tool in his red, santa-like suit. and bump, you’re back to reality. your new pants are falling down (no belt), and the bandana you’re wearing is covered in snot. someone says ‘yo dude, i’m totally stoked with my new board’, and you experience a moment of disbelief that you are involved in this bizarre perversion called snowboarding.

these thoughts are snowboarding to me. for so long i have loved it, lived my life around it, at the exclusion of so much else. but like everything, there is an inherent contradiction here. i don’t think i can live this life forever, so i have decided to try something new. or old. i came home.

my northern faerie history

(my autbiography in 50 words)

born and bred in good old yorkshire, i was an eccentric child. the family breakdown preceded unreachable teenage years, before i 'found myself' again at university studying books. afterwards, i returned to little girl lost and sought solace and freedom in the mountains. currently working on the search for contentment!

so it started with the zen dog, and hopefully now i find myself mainly on the healthy side of the boggart/faerie borderline. but it took a long time for all those seeds of thought to sprout - somewhere along the line it seemed i’d gone off track (a joni mitchell lyric?), hurling myself headlong into an uneasy state of stasis from which i had no idea how to escape.

the problem was and always is, that although you don’t realise at the time; there is no escape. everything must start from within and gradually extend outwards. your mind must settle itself before all else, because that’s the only way to really live life instead of continually torturing yourself for 80 odd years, or indeed, however long or little you happen to live.

i was a bit of a tortured soul. generally a worrier, lots of teenage angst and not without my issues. i remember watching the news as a kid and seeing war raging in some far-off land. i erroneously wished for such drama and excitement to occur in my own life, since that was what i was always reading about in my books. i thought that this was necessary in order to have any hope of becoming an artist. not that i didn't simultaneously realise that this was ridiculous - because not only was i terrified as i heard about this bloodshed, but i shed tears for those people caught in the reality of crossfire. i thought kids lacked empathy, but sometimes i look back and think it can be the opposite - that we learn to shut certain things out as we grow. as a teenager, i could watch any violent film or depressing documentary with ease. nowadays, i struggle to do the same. it seems to have all gone full circle.

anyway, we’ll save this stuff for another time. the problems began when i finished university. unexpectedly, after telling everyone how much i was looking forward to freedom from the shackles of education, i found myself with a fairly hefty case of the post-uni blues. i felt like a castaway, ill-equipped for life on the new and confusing island of adulthood. nobody warned me about this! i was ready to start campaigning for university-leaver counselling as standard, such was my dramatic reaction. i became a waif, a stray, a little girl lost. i hadn't realised it, but i loved learning and it gave my life meaning.

in a more cynical sense, studying is also the easy way. whilst studying, no one can question the worth of your life choices. you’re getting a degree, who’s going to tell you not to do that? you feel fulfilled due to all the new, academic and ’important’ stuff you’re learning. you also embrace a newfound freedom, which includes new people, places and free money! what more could you ask for? although not many of us are really happy with it at the time, which is typical of our stupidity.

so in that sense, living in the moment has always been a problem for all of us. we lean forwards, backwards, sideways; any which way but bloody stand straight up! we spend half our lives being excited, reminiscing, remembering or anticipating. why can’t we just be here, now, like the zen dog? aims and objectives are good, we all need to develop the stamina to journey step by step, day by day, perhaps even inch by inch (with an occasional few steps back!) towards our dreams. but surely there is a middle ground that lies between the two?

so where are the directions to this middle way? and would it be boring there? or are we looking for/expecting some kind of higher level middle way?! are we just expecting too much? i’ve been searching for longer than i knew, and i’m still not sure that i’ve even located the map. i’m just plodding along like all the other little ants, hoping to find whatever it is that i don’t know i’m looking for.

so this little history is to basically tell you, that like everyone, i’m searching for contentment. it’s been a hard slog this last couple of years. despite having the privilege of being born in a wealthy country with loving parents, plus having access to a good education and wanting for nothing that i really need, i have still managed to torture myself into panic attacks and all sorts of mental anguish.

pathetic eh. but i'm not going to torture myself looking back at how hard my own mind has made the last few years. i understand that this was just a path i had to walk to get to where i am now. despite everything i've learned since those days, i realise that there will be challenges along the way and that sometimes, the boggart will rear his ugly head to drag me back down from my positive frame of mind. he is there for a reason - because i'm only human. perhaps i'm missing something here, i'm sure the buddhists amongst us would say that we are all capable of ridding ourselves of our inner boggart. perhaps they're right, i don't claim to know. anything is possible.

for now, i'll simply struggle onwards, having a stern word with both boggart and faerie when required. as somebody once said to me, 'that's the beauty of life, you can make mistakes. you're in a constant state of self-improvement'.

to a very zen-dog


this particular northern faerie owes alot to the zen-dog.

this blog begins partly in homage to him and in memory of the lesson he represents. it wouldn’t have been possible for me to write these words without his foray into my life. see the photo and read his simple yet effective philosophy on life. it may seem obvious, but like so many things, it’s all too easy to forget or even to completely ignore.
i hope that i won’t ever forget this lesson again. i cherish that little known creation borne of the much loved edward monkton cards, whose words began the positive mutation of my mind. it's ridiculous to think that a greeting card could change my life, because of course, we all find what we seek in the end. however, mr monkton’s zen dog was in the right place at the right time, when i was ready to listen. so it’s him that i think of when i look back to the very beginning of this; my most recent journey inside my own mind.

when i first saw him on that little card, i began thinking about living in the moment and not torturing yourself with the past, the future or the shoulda coulda woulda's too much. it also seemed to suggest that spending too much time on what others are doing in comparison to yourself is wasted time and energy. all things most of us know and accept to be true, but do we actually implement these beliefs in our life? at a time of reflection, following my return home and a painful break-up, i found myself drawn to the dalai lama's book on ethics for the new millenium. following this, i read another book called on relationship by krishnamurti. both books came to me at a time when i needed them, and confirmed my half formed ideas about how to have positive relationships with the world and it's contents (human or otherwise), thereby achieving contentment for myself and others. all the points that the dalai lama's book in particular, made, were things i had known instinctively for a long time, but had somehow failed to put into action.

from then onwards was the beginning of realising just how lucky i am for all the small things and seeing beauty in everything. like washing the dishes just to wash the dishes, not to get them clean, as one analogy i heard puts it. trying often to commit small acts of kindness, smiling more, being generally a bit more of a glass-half full type who tries to heal themselves and the world around them. and odd as it might be, the seed of these thoughts began to sprout over the months i spent staring at this little zen-dog card, which i had blu-tacked to the wall by my bed.

so cheers, sante, egershegedray (that’s hungarian, i think!)

and however the dogs out there bark it

here’s to you zen-dog. clink clink.

an introduction

northern faerie

a mischevious, magical being native to northern england, the northern faerie embodies the struggle between dark and light and can also be regarded as belonging to the sub-category of shapeshifter. most often, the northern faerie is a peaceful and free-floating faerie in the classic sense of the word. typically of human, female form, this being lives truly in the moment. as she flies from place to place living in an imagined world of words and enjoying dancing and hedonism, she balances this with fresh air and positive contributions to the world around her. though the word faerie may suggest airy, this being's anti-beliefs run far deeper than flimsy niceties. a patron of both the arts and nature, she has been said to visit those struck with creative block or lost in the wilderness, in order to provide inspiration or comfort in their hour of need.

unfortunately, the northern faerie can become malevolent at times, morphing into an alternate version which is somewhat akin to the boggart. in this form the northern faerie's perspective becomes skewed, as she haunts wells, under bridges and inhabits households, with the sole intention of terrorising passersby or inhabitants. once the haunting of a particular place has begun, this faerie is notoriously difficult to get rid of. at such times she must never be named, for when she is named the northern faerie can quickly become an even more uncontrollable and destructive influence. these episodes usually occur around the time of the full moon, when people are warned to steer clear of the northern faerie. during these times, this faerie can be recognised by her short arms and legs and gremlin-like features.

distinctly northern and down to earth in nature, the northern faerie faerie is a mixed bag. her already difficult quest for balance, inner peace and positive relationship with the world is made nigh-on inachievable by the complications caused by her malevolent, inner boggart. however - the northern faerie will never give up hope that this is possible and continues to visualise a peaceful and loving future for all.

northern faerie tales

beginning as a forum for my words and wondering, northern faerie tales is about utilising freedom of creative expression - whether the result is considered crap or incredible - as an assistive mode of navigation through the ever-changing journey of life. write, read and rediscover the world of the imaginary, whilst keeping one foot on the floor of the illusion we call reality. whilst not subscribing to any one particular religion, ideology or school of thought, i take much comfort from the the belief that contentment lies (as the old prayer says) in;

the serenity to change the things we can,
to accept the things we cannot
and the wisdom to know the difference.

so please accept and challenge your inner boggart, and make the most of the small beauties that each day has to offer. watch always for the middle way, and remember, that my words begin in specificity but their aims are universal.

composed of poems, philosophical rambling and linguistic pottering, northern faerie tales hopes to express the contradictions inherent in the patchwork of human existence. we are all lost souls, searching for something. this 'something' could most accurately be described as the elusive state of contentment.

in this essential way, we are all one, and so, my thoughts reach out to all those who are subject to this search and the frailties of a less-than-divine existence. please gather together to embrace the un-knowing, be you northern faerie, southern monkey, bearded woman or chinese dragon.

practise the (anti)knowledge that we are but waifs and strays afloat on the unpredictable sea of a wondrous, yet sometimes apparently nonsensical, world. continue searching for truth, but be simultaneously content in the wisdom of uncertainty.

with peace in my heart and lost thoughts in my soul, but mostly with love,

ishbel malishbell (a northern faerie).