Saturday 26 December 2009

red wine

A light red wine with
Raspberry overtures,
But not Rose, for God's sake!
I despise a dry throat
But don't hate
It.

Hate nothing,
Not even those bitter bores
Who cannot find the time or
Space of heart to enjoy
Enough
In this life.

spiritual revolution

Is there?
Out there somewhere?
Here
Now
Presently
Eminent
And rearing it's pretty head
From the morass of deceit?

Come to think of it
Pretty is far from the word.
Is there any word?
Illuminating
Freeing
For seeing the world
As it really is
n't.

a short, festive thought

I saw a little girl on Christmas day
Wearing a Cinderella dress with wellies
Almost tripping
But caught by a Grandparent.

I thought
Are spines made to be broken?
The spines of the books I love
Yet they're simply
Concoctions of words,
Collections of letters,
Frozen in time
Like this
Simple poem.

midwinter melodrama

You might find me melodramatic
This midwinter night
In my navy, posh frock
With my magical moments
And flame-haired nonsense.

I digress and romanticise,
Express myself impulsively
Alongside evergreens,
Companionable fires and
illuminations.

Animal Collective
And sounds of Hejira
Remind me of you, with your
Walking boots and skew whiff
Pirate stance, lolloping into

Lamp-posts because part of you
Resides in 'an(other) dimension(s)'.
You confuse my senses,
It doesn't matter now if I write
With a nice pen or not.

Filled with warm fuzz in Narnia,
A sore hip and near-bust lip
Remind me of being a kid.
A nice, anti-traditionalist
Veggie dinner,

Pressies wrapped by Pops in
Recycled paper
And lovely as it is, I might just
Volunteer at a soup kitchen
Next winter.

Precious, bijoux gifts including
Sweet Music (oh Bijou!)
Garnet earrings and the romantic catalogue
Of an ended relationship
Through objects (ironic!)

Love notes, postcards,
Items of clothing, polaroids
And all the while
My brother catalogues
Lifetimes of song in decadagonal order,

Desiring to preserve the life of a dearly
Loved Dead-Head.
I also have recently rearranged my
Books according to Colour-
This therapy reigning order over chaos.

We're all obsessed with this in
Individual ways
But there were too many
Blacks and whites in the pile
To oppose the balance.

"It's just a book" representing a
Subjective collection of moments;
Separate lots of a life
Reflected in objects
To be viewed by collectors of detail.

I remember to avoid detail in life,
Concentrate on the same -
An album, a book, a poem, a photograph
Dedicated to love
Of the singular.

Should these islands of minds
Not be plural, please?
Connected by fluidity and sand
And yet, I fret
Not immediate contact.

Wavering, bonded, on a plateau
Below, my face like chalk to
Hide love's wings and
I jump at the noise
As lamp-light swims.

The residual spark,
The soot of contact, I envisage;
Foot to foot with those toes I love.
Dense hair on an open head
And sombre navy blue eyes,

Both dark and bright
Thus connected to life
By a solitary silver thread.
I dread the day you go away
But my arms encircle freedom.

I respect Your disregard for possession
In our recycled air.
Yes, You (and did You notice, You have
a capital letter?)
Even as I speak of removing possession.

Balance is key to all as I
Shake snow from the branches
Of trees like sprinkling dust,
Those symbols of solstice
Amongst frozen time and berry wine.





Monday 21 December 2009

veggie-ism

Once upon a time
We caught and KILLED our own food.
Wild, eh?
Blood and guts - survival,
Hunting - the hunted,
The food chain argument.

But if I could find alternative sustenance
I would not kill more than
A little fish
Or at a stretch, a chicken,
(Though apparently it's difficult to catch one,
Let alone KILL it).

I doubt Coelho's love to breastbone
Technique would work in this instance!

My Mum says she's not a hypocrite;
Knows where it's come from
And would kill it herself if need be.
I don't quite believe her
Which makes me think -

Perhaps we're getting
Softer and softer,
Nicer and nicer,
As a result of these negatives?
Battery farmed chickens
Paving the way
For future chickens and their
Long
Harmonious
Lives.

Thursday 17 December 2009

contents of my bag

i'm rifling through a bottomless bag. it's paisley patterned, not carpeted - but almost mary poppins territory. the first thing i find is a blue leather wallet, filled with plastic oblongs and copper coins, a few notes if i'm lucky ... there's a poetry society membership card, a national insurance number and natwest (the fuckers). all clues to me, myself and i, or my identity anyway. the lavender roller ball is for dabbing on that delicate spot on the inner wrist at stressful moments. the grotty labello lip balm is almost empty, after fighting a raging battle with the winter's chapping effect.

i grip a phone (necessary evil, cheapest going, but still somehow i'm always texting like a fiend!) and also several books, which i love to love. there is a notebook and pen combined with the crackling of empty cigarette packet plastic. there's very rarely a lighter. often, there are several bus tickets, crumpled and scrunched, representing days of my life. there are always, always inhalers. i'm fearful of losing my breath as ever. and last of all come the keys. attached to plaited leather that's seen better days - and is long, so as not to lose them. jingling, jangling with the sound of home comforts; they take me to another door, another space to fill. i won't even get started on my bedroom.

Monday 14 December 2009

isms of everything

Sectarianism, Buddhism,
Yorkshireisms and Fascism.

Pescetarianism, Terrorism,
Anarchism and Absurdism.

Commercialism, Elitism,
Humanism and Antagonism.

And the showpiece; Antiferromagnetism,
Along with all the other anti-isms.

I could go on for quite some time since
We're so ism'd up to the eyeballs here!

But You say you don't believe in them
And I think I must concur.

Thursday 10 December 2009

an inflamed world

it's hard to resist an inflamed world once in a while,

when the tip to base follicle of each single hair,
that's every hair has a feeling, wavy or straight,
attached to a thought directly in the brain.

when goose-pimples begin at the base of the neck
and transcend outwards in waves until they
combine with afore-mentioned hairs on end.

when skin like thick jelly is numb, and excess
is drawn until each pore is sore with feeling.

you may not feel the hands upon you, but you shall
feel a thousand hands in every spot of skinless space,
when your nose feels cut to the bone and cold.

historical fragments of alien substance psycho-act,
confuse time and space over years:

the gas van that sold ice cream,
the paralysing dreams,
the fingertips which painted
dancing patterns in air
and the restorative power of apricot juice
in france.

i remember vividly, the heart attack fears,
and the shearing of de-sensitisation
as hurricane katrina occurred.

when i think about it,
there were copious amounts of bonjela
smeared on moments of clarity,

but the blaring light of beauty
was clearer than ever, when sleepless
with our weakness exposed together.

and the chemical abates, pulse returns to normal,
pupils no longer dilated, experiment over for another night,
yet we repeat this with various concoctions -
like the play poison i buried in the garden sometimes.

always, lights rises, and ears ring as the song
of morning birds tempts motion back to swollen lips.
i remember a time my cheek looked like i'd been punched.

tramping streets flushed with morning,
away from peeling paint, unadorned floors
and dirt between some four vibrating walls,

i've felt faint often - dehydrated, i radiate heat,
then freeze, and always, the blankness of the bathroom
is dangerous/disorientating,

as you swipe away the grime with grim tuesdays,
loose haze and a lack of perspective,
for which you prescribe wine, chocolate and chinese.

but i'll always have such memories to thank
for some profound revelations,
their small release paving the way
for compassionate things. 

it's hard to resist an inflamed world once in a while.
when the sigh of speedy heartbeat booms on chest,
and the gasps for breath just choke out quietly,

when we all want to swallow the whole world whole.

the current outlook

"Ne'er fear man nor beast".

"Eager for the year ahead
And damn pleased",
I said, on this white, bright morning.

I believe every word
Conceivably. And reaching for
Meaning helps to ease my
Roaming soul.

As broken leaves limp down to the
Ground, I know that life will return.
New moons, new tunes
To dance to in the strangeness of all of this.

Untapped horizons which may
Mutate before my eyes
And cause another rotation.
Just as the world spins on it's axis,

I self-learnt didactically
Concurrent perspectives and the
Kaleidoscope of possibility.

A splattered mouse and I think of giving,
A raincloud and I know that seeds will sprout from this,
And the ending of a story brings only more in future for me.

Have I eaten too many bananas?
Overdosed on the Dalai lama?
For I am walking on nothing again -
Not road, not earth, not air, not feet,
But replete with love.

At home in the madness here,
Where the urge to flee flies overhead,
Even lands on occasion -
But I still have my own direction to tread.

Centred in the salt of the
Pit of my stomach,
I hope to have a good old Yorkshire soul.
Away with the faeries but
They'll always be Northern in nature.

Henceforth, I endorse the view
Of multiple everything;
Unsure smiles in the face of danger, and
Goodwill to all men (women and children).

on hearts everywhere

my friendly heart knows not
it's own violent crimson.
my other self and her sly tactics
outflank, manoeuvre and double bluff,
using the heart as a red herring.

"when heart-broken please take care
to stitch back together,
slowly and delicately,
matching the seams exactly.
don't allow the vitriol to grow
but believe in your own lovely ventricles,
which go on pumping day after day
on earth, as we create our heaven".

but this earth is full to bursting, beware.
one slip, one tripped, lost beat
and we're out of here. our fragility
never ceases to amaze me.

and how many are underfoot?
ancestors jesting at our
lovesick looks, romantic woes
and waning appetites.

this ebb and flow is often all we know of love.

Wednesday 9 December 2009

the blue room

i stood in the middle of the empty room, a little girl lost, as i stared around at the four empty walls of my new home. the magnolia paint was flaky in places and punctured by marks from previous pins, which had probably once held in place some other inmate's attempt at decoration. not knowing what to do, i plonked down my suitcase and sat in the middle of the floor feeling bereft. glancing up, i fixated on the one adornment present on the walls. i stared at the clock with such intensity; i became almost positive for a moment that i could have made time slow, or even stop, had i really wanted it to. it was a thought that was both tempting and repellent, for here i was, poised at the cusp of a transformative period in life, the beginning of everything after the painful stasis of the last few months.

i counted down the minutes obsessively, clearing the thick, foggy mess inside my mind with structured sentences, viewing my predicament from the numerous perspectives which clamoured for attention there. the tick tock of the clock marched steadily onwards. it's repetitive rhythm comforted me, yet i no longer wished to see life through the frosted glass of hypnosis. i shook my head and refused to be drawn in, instead turning towards the large bay window. i dragged the heavy, solid, wooden chair from underneath the desk in search of the bright sunlight of the crisp autumn morning. the low grating noise of the chair making contact with the threadbare carpet irritated my frayed nerves, but again, i forced myself to ignore it. getting over these obsessive idiosyncrasies was necessary to lead a normal life, so i had been told.

as i squinted out across the posh, landscaped gardens, the ding dong of the doorbell shocked me back into the here and now. i whirled around. visitors. but I didn’t know anybody here? who could it be? opening the door, i stood face to face with a petite, dwarf-like girl wearing dramatic eye make-up and a long, flowing tie-dye skirt. she had the appearance of something magical. she grinned a wide, toothy smile and told me her name was ella. before i knew it, she had bounded past me towards the window, rabbiting incoherent sentences over her shoulder. squinting past both her and my green surroundings, i could just about make out manchester in the distance. the skyline betrayed the cities industrial history, now also joined by sleek, contemporary architecture. this was the same city in which i had begun university a year before. didn’t get very far, and somehow ended up here instead. looking back, it was doomed from the first.

the white room

it was all enveloping, yet infecting so little of her senses that she could not be sure that it was actually there at all. once inside, it was impossible to tell if anything was real or not. even her thoughts became indistinguishable - were they her own, or was it all around her? in the whiteness, the blank buzz of noise dulled deafened ears further. she was suddenly afraid; terrified that she would be locked up in this box forever and eternity. 'the girl who got stuck', the headlines would blare, in an alternate universe. she had arrived here by strange chance and had no clue, as yet, to which yellow brick road her sparkling shoes had stepped upon. where, oh where on this godless earth was she?

it had occurred slowly, or quite suddenly; she couldn’t recall. but over time she became vacuous, as though a big, gaping crack had opened in the surface of her. ‘little girl lost’, she called herself, in recorded words and wondering, as she contemplated her surroundings. the girl was helpless as a fly, and squashed - that much was evident. flattened, almost eliminated, it was true that she had felt mildly invisible recently. she must have been slightly so - since though I can picture her right now, with hair the colour of autumn leaves and a wonky grin which did not betray her insides; i cannot for the life of me remember her name. jane doe was pale as a whisper, transparent as a shadow. a shell of her own delusional grand plans and technicolour dreams, perhaps?

one day, she went to the office as usual. for a few days prior, she had felt difficulty in drawing breath. it was as though a hand was applying a slight, yet constant pressure upon her throat, causing her to swallow repeatedly as she gasped, drowning. half-thinking it was asthma, she had ignored it thus far. but today was different. her cheeks ached with pressure and her vision was beginning to flicker indeterminately. she felt light, like a child at christmas, but without the pleasure, reminding herself of someone who had been on the waltzer too many times. something pounded in her throat (was it her heart – and what was it doing there, we wonder?), and in the end she dissolved. dissolved into a puddle of tears. a melancholy sight, on a bright summer morning in july. bundled into a car, she hardly felt the hands on her as they took her home.

Tuesday 8 December 2009

sunday stories (number two)

Discern the flannel shirt
Uncuffed, it flaps in friendly wind
(These waves of air
Will surely never hurt me?)

Behold the orange hat
Distracting warmth to mind to ears
And Why Oh Why
Would I roll it up to expose them?

Contemplate these feet
Be doused in peat and mud
Through weather, the moor and heather
(Each with two syllables, please).

And alive in our lollop together,
Accompanying bereaved dreams and
Splitting seams on this patchwork,
To rearrange in light of new beliefs

Our insides and surroundings.
A 'rustic' sarnie with smoked cheese
And beetroot. Attempt at detox
Always ends in beer here!

With frozen bones
When the flannel shirt no longer works
To discern anything.

And then a bus, chugging to
Soul trio, Bright Star or Bratfud -
Must I be so susceptible to direction?

Can truth be found here?
Amongst peeling paint, bare floors and
Dirt between these once redundant walls.
And You call me a filthy article!

All night I stretch out
Your solemn eyes gleam and grasp
Like half drowned trees underfoot of flood.
I want to experience unconditioned love.

But for what do I wish to analyse?
As Veronika Decides to Die each night
Somewhere. But not here, not now;
I won't be running for the hills for a little while yet.

kites and towels

Absolve myself from absolutism;
Envision stinging skin, soft as a baby's bum
And fresh as a daisy at dawn,
Simply because I choose it to be.

Consequently and constantly
I'm in a state of Morning -
Those first few moments of the day
Being in essence, unaffectedness.

I skip along this yellow brick road
Each day, allowing Mythical creatures
To breach my unbelieving
Eyes.

And a towel is a Thing of Great Mystery
When I inhabit this space,
Post-wind chill on 'that there 'ill'
Where experimental theatre took place.

And everyday
Arising with fluffy, white fibrous material
Brings home to my self-starved persona
That we deserve to see the view like this again.

A view, not just for us
But filled with kites above
(Multi-coloured ones) which I prefer to believe
Would be there anyway.

Saturday 5 December 2009

midnight swimmer

Torch-lit water illuminates
a chasm of hard darkness,
where killer sharks could likely lurk
in stark discord with quacking ducks
which scatter, scared
when artificial light flares.

The vast expanse of rippling blackness
is in shock, a delicate nervous system,
when you submerge, just for kicks.
Re-surfacing, (in)observing lacked light
and child-like tricks - is it a tall tree
at the water's edge or a monstrous, macabre 'Man'?

Oh man it's floor-less here and
the reservoir shore escapes you.
The cold ingratiates into bones and
you're searching, sightless, for something there.
Where oh where would you be
but here, at midnight?

Toying with the edge
in a sweaty and prurient palm,
relishing a drama played out deep down
in the submerged, underwater world.
Can you jump? Feet first and unafraid,
the silky chill of the night swim
draping shoulders, numbing limbs.

I've never ever seen the sight of night sky
from undercover of water;
I stand mesmerised as you emerge,
baptised and disguised as a mermaid.

not from a tap

I rarely bathe,
All that sitting in your own
COLD WATER
With the music on, candle-lit
And tricked into thinking
It's relaxing.

It's taxing to wait in water like this!
Not wading through natural pools,
Young fool at my side
And playing at being water babies.
We're catching fat, full raindrops on
Tongues, and simultaneously
Swimming strong against
A tide of continuum.

sugar-shower

A metal-edged and treacherous one
made reckless motions towards,
showering sleek cheek-kisses
(mwah! mwah!) and lovely exclamations
of exaggerated estimation
of our closeness,
our knowingness (of each other),
and the time that had lapsed
since we had last met.

Hot feet wish to flee
her glacial vacancy of face,
the sugary-plum dahlings and
oh-so tweety pie embrace.
Wrapped in tinkly tin foil, covering treats
for half-rotten teeth
she makes me feel foul;
sugar-coated and sticky,
like my mouth after coke.

Shaking free, testing no holes
have been singed in the soul of me,
I exit this vacuous acidity.
She genuinely scares - empty bird,
pecking away at the world!
Terrified and tired I lock the door,
pull the cord and raid the treasure trove I find here.

Lavender shower gel and running water,
(imagine, momentarily, digging a bore hole?)
Such products give way to a freshened smell.
Artificially cleansed, a vile smile;
"Well gee kids, isn't that swell!"

Sunday 29 November 2009

the devil and all his works

I dare you to disturb me with Stigmata,
Martyr me to prove your existence.
Shadows, flies, the river of Hades,
Descending on me in purple dreams
Until I awake, choking on broken anti-belief,
A wreath of thorns upon rose red temples
And a stem of struggling distress
Fixing me, writhing, to the bed.

I dare you to do so.
I await the malevolent glow of the
Devil and all His Works -
But He will never show himself
(Living as He does, in us).

sundays stories (number one)

Feeling fresh, I arose,
Kissing morning gladly
And the cool, windswept smoothness
Of stone on Ogden Moor ahead.

And goodbye to those
Remnants of green velveteen,
A plum-dream spleen over hills
From the night before.

I saw

The light-head giddiness
Of song along an open road,
and berry sneaks married timid feet
in autumn leaves.

I remembered

That razzle dazzle rosing
Had left me feeling grim.
Whiled away in the poverty of silence until

Too old for toadstools
And boggarts under bridges,
I resolved to take pictures instead.

Arguing writerly inspiration,
Amongst the twilit sight of tall
Trees slowly shorn from eyes by
Enveloped moon.

Wrap me in the cloak of a
Magical, enchanted wonderland
Like Alice, I begged ...

For there is no room for lazy footfall
Here, and you must stay near, little girl,
In this forest walk world.

Monday 23 November 2009

chance encounter

Boy in an army jacket
Who lives in a squat in Bradford
Of all places.

His face is causing a racket.
Can you stop it please, if I smile sweetly
Enough?

Ingredients being, one serious smile,
Thick head of buoyant hair atop
And that thing that I bump into everywhere
  1. Footnote to a cut throat razor loss.
I observe that which accompanies
But I cannot comprehend
This suffering (having never had to).

A pillar of existence shot down
Leaving half-armed
With tinted windows, the three of them.

He is an opportunist
Who wants to visit India and
I want to go with him.

I've only met him twice, three times
But his fine, quiet featured gentleness
Is already inside,

And when I learn his Pirate name
It all
Falls further into place.

He travelled West Yorkshire
On a day rider for three months once.
This is impressive and an easy trick.

Does his shopping out the back of
Sainsbury's - their throw-aways
Indicative of collective waste.

He understands that possession
Is three-thirds of the law that
Keeps us residing in fear

And he reminds me of Into The Wild.
Listens to Joni Mitchell in the morning
And wants to go walking.

Yet meetings are skewed as afterwards,
Balanced in the tree position, I lean
Towards his sun.

It's tempting to jump headlong into a
Pool of him; spend hours meditating upon
Each other's lips, faces and fingers.

Quickly, redress this!
"Keep control of our own time and basic space -
Be cautious, as always", he suggests.

'Tis a special one though
The spiritual 6 in numerology,
United by words and books and worlds of thought,

By lands of home and lands apart
That time forgot - And I touch
His soul with my palm as we each stand alone.


a home inside my own

place plush cushions on a couch
to soothe and ease The Ouch!
of a lost girl seeking a home.
i lay claim to eccentric comfort
now that i am loverless.

the roaring fire spits flames
silently and blue at the centre
battles windowpanes,
loose at the edge, allowing draft
from the ledge to escape.

scruffy floor-boards sing and shriek
as air envelops freezing feet
and cold toes tingle in the night.
i say i'll get slippers but never do;
do i really need an indoor shoe?

dusty bookshelves floor to ceiling
arranged by colour and expressing the feeling
of a thousand imagined characters,
often distracting me from the task at hand
with their mystical worlds.

i need to zoom in to drop out,
not multiply in the jumble sale brain
i sift through sometimes.
either way/i care not, and love them
individually and unequivocally, like unborn children.

the buddha is still in the corner stock-still
and from the stereo joni mitchell
sings a love song to california -
if i could sing,
i'd write a song like that.

the speckled bodies of venetian glass
obscure the key i have lost inside myself.
i don't want to make do with the
conditional arms of someone else:
though obviously it's a pleasure to lean/

i would cry to be a vile, blood-sucking creature,
strange deceiver at the door seeking warmth.
i yearn for the home inside my own -
the antithesis of pandora's box or i being odysseus
but better! no one-eyed monsters or kalypso
tar very much.

page closed, book shut
on a happy end would be satisfying.
but words aren't days and there is no close,
solely the onwards march, lonely soldiers in our lives,
battling ourselves most often.

there is a dark night or Hark!
a glorious day outside,
but if i remain here long enough
i'll forget to feel the sun shine
or the rain pouring long and fine.

paintings depict romantic destinations -
paris, prague, integrated into our own walls
of antique white. it's all mine by extension
and they are here intermittently;
between walks, too much work and worrying about us.

seasonal affective disorder

Your family dropped like leaves
From an evergreen tree,
Slipping through long fingers
Into homelessness
Within your child-soul.

A patchwork square of you
Then flew away that day
In an origami dove,
With a message of peace inside
Written by the child.

Tinged at the edge with cold
Colour and inglorious
Knowingness, lips loaded,
Turned up at corners,
Folded down with mourning.

And a picture warns

Of the beloved, the beautiful deceased
As a twinkle breaks your eye -
Thick, loaded, brimming now,
Swimming with promises of patchy rain
Interspersed with sunshine, sporadically.

A storm brings gale force winds
In from the West,
And there is no time for sweet sleep
Or even a blissful rest
Amongst this.

Saturday 21 November 2009

little brother

You own;
The entire collection of Radiohead albums,
A big arse! And generous arms.

"Surrounded by people
But I'm all alone",
Declared you once at 5am

And on the phone to me
In my then boyfriend's bed, in France -
Scared me witless, little Sam!

Manchester, not Melbourne,
Fool. (N.B. Please try to be sure
Of where you are in future).

Gulping goon surrounded by the swoons
Of girls my age (bleurgh)
Little brother got big
In the blink of an absent eye

And it's a great discovery of my time to find
That we siblings live in a pod of
Death-thinking and
Adventure seeking.

It's good to know that wherever we roam
We're two predictable peas set free,
(How strangely you know me).

And as you regard life with Student eyes
I curiously observe
The floppy locked little brother in them.

Yes YOU
Who I read like a book.
You are the second in a dynasty
After all,
Though it should've been a Trilogy.

And what other character could have been?
But that's another story
And there's no words anywhere
Which can tell it entirely.

So I won't try, just silently watch
You two love-birds,
Slit-eye to wide-eye and
Play-fighting like children
In the back of the car.

Wednesday 18 November 2009

blue

Lost and found all at the same time
With sounds of past
And winters future
On repeat inside,
(Please can you Delete (me), you sigh.

Pleasure elicited from thought
Brought suffering as loss and longing
Painted firm brush-strokes across
Your down-turned face,
Until Blue described your mood, aptly.

Distractedly stranded in Norweigan Wood,
Isolated, and questioning
Your own effectiveness
As a human being;
Were magical dreams made to be broken
Before you'd even spoken them?

But please don't moan!
A tear is formed for shedding and
Leaving a clear eye behind,
It's silver trails like slugs
In a tracked race down your neck, and
Away from the remnants of your bleak distress.

And a blue you chugs onwards
Slowly, towards the light at the end
And still later (stationary) on a train
You tug at your Blue, struggling
With a wayward brain:

It's a hard and vicious fight
On the commute home from work
Each anger-fuelled night.

There was a ring and it was Blue baby,
One day I asked if it was a mood
Ring - 'Sarcastic Fucker' was your reply.

Monday 16 November 2009

to be queen

I want to live in a Den of Iniquity,
All scarlet drapes
And sexual dissidents,
Intriguing strangers
With beguiling faces;
Gathered Together in My Name
From exotic, faraway places.

What girl has not dreamed
This scene? To be queen
Of all she surveys,
The Femme Fatale of a heart
Which is shrivelled, black
And gleams – from amongst her
hand-picked harem.

Can there be such thing as
Animalistic caress?
Agressively loving, possessive sex?
When sweat beads like
Blood diamonds on chest,
A chest undressed, disarmed even,
Like Samson by Delilah.

on waitressing

I like the ritualistic restaurant;
The oddballs and miserable bastards
Whose order remains forever the same,
Week on week.

But to distribute
A basket full of steak knives
Still breaks my serving heart,
And plate upon plate of lasagne, seems cruel to the crab.

Drab life, they disregard, skimming specials vaguely,
But for me a certain satisfaction is found
In making round, circular movements
To polish glass -

Sticky and no longer see through
With over-fed fingers,
Betraying the greasy film of dining
And wining, week on week.

And I like to see those thick swirls
On the top
Of a good cup of coffee,
Served with a biscuit, a smile and drunk in unhurried time.

I love the lessons learned like selfish pearls,
The tiny, beautiful moments
Of altruism(?) and
The happiness of others:

Heavenly monkfish
In a huge and deep-set dish,
With chorizo, basil and cherry tomatoes,
Followed by
A hot, strong Irish coffee
And a cake, devilishly sweet and
Doused in cream.

Sunday 15 November 2009

winter approaching

Soundscapes of a snowy landscape
Tinkling, rankling my mountain-less soul
As I long for the white, blank freedom
Of a blizzard, lost in this I imagine I'd feel
At home.

Yet this is no longer reality,
And I know there'll be future landscapes
I adore equally.

But discreetly I imagine;
Zee pain au chocolat,
Zee chair le poule,
Zee grumpy old men stood at the bar
Downing espressos and (when they could)
Chain smoking Marlboro Reds.

Saturday 14 November 2009

to my 16 year old self

skinny limbed chicken
i find my former self,
scowling from the inside
out, scornful of the
fistfuls of joy and wanting 'only'
a pair of miss 60 jeans!

reading sophie's world cross-legged,
unfurling antelope limbs with
crushed grapes of pain
at the shins,
dimly aware of the world
outside my windowpane.

a rush of blood to the head
and crushing pain
in a motionless chest,
remnants of rebellion -
the night before and my
glorious escape, intoxication.

poems by my mum


Numbed Limbs

Beside myself, sit I,
Numbed limbs,
There is a green hill far away,
A child's favourite hymn,
Back to front, Inside out,
A myth invisible,
Intransient,
Rooted/buried, heavy soil,
Forgive me/excuse me
Taunt and bemuse me,
Meaning/shining
Screaming unheard -
Certain sounds,
If I were a dog (polarity),
I might be dead,
Painless, quiet,
Memory,
Yours:

Bowled Over

Giant of a man - my stars predicted,
Giant of a man,
Do I have to be on another plane
To feel those arms enveloping, holding,
That tenderness, that trust,
So long, it's been so long,
So strong - those arms,
My face is wet
I can't express,
Cradled in a storm
By a giant of a man.

Movement

It touches me like a beam in Plato's Cave,
I don't mean my bowels
Or my house
When I say 'moved' ...
It moves me - you move me.

Distinguish

The general of our particulars
Only reflects our particular mood,
Thought, feeling - being
At one particular time - in general.

Is Vs Ought

I feel therefore I am,
I feel I should end on a happy note
Therefore, I will.

Thursday 12 November 2009

little girl lost

She's got holes in the soul of her,
motion-ful but no eventual goal
forever and ever amen -
she's fatigued and yet,
drives onwards (brave little solider!)
prising moments of clarity and
a hard-won parity
from the fingertips of confusion.

Fighting long-held delusions daily,
and determinedly forging a path as she treads
cobbled crossroads, rutted dips and
mile after mile where she inelegantly trips
once in a while.

And it is then she sheds her second, third and fourth skins,
Her tallest, warmest skins, and smiles ...
Smiles skinless over the peaks and troughs of
all the possible, stony lanes that she could take
towards yonder, over the hill and far away
one day to the curious next.

There are multiple dimensions
to this flighty dissension,
causing holes in the soles
of her scruffy, worn shoes;
painter pumps, over-worked, much used
and then dumped in a dustbin
flecked with sauce, like blood,
but not quite as exciting.

Her voice hoarse, weary
with those dreary words,
oft-repeated and wished deleted
from her vocabulary,
and the servitude of days which are
waitressed away (but not really, please?)

Thoughts drop like pennies
in the expanse of a mind wide
with the throw of offbeat thoughts as dice,
She always has a notebook in her pocket
to document this with variable precision.
It's to you she writes
Mysterious animal, her own indecision.

Wednesday 11 November 2009

poetry (on being here, now)


From:

Isabel Brittain (@hotmail.com)
Sent: 11 November 2009 10:25:32
To: Sian Lucas (@yahoo.co.uk)

Good Morning Siany! How are you on this fine November day? It's a drizzly one but I'm feeling good...! Think my feet are returning to the ground after recently losing my perspective a little.

You asked me on Friday night what I think makes a good poem and it really got me thinking. Not only about that particular question, but also contemplating why I discovered an appreciation for poetry at this particular point in my life. I've always loved literature, and the occasional poem, but I never really went out of my way for it - and I only rarely attempted to write it. Now I can't get enough of the stuff! And I think I've worked out why.

Poetry is a metaphor for the outlook on life that I now aspire to. Poetry teaches us to appreciate the smallest details in life; be they conventionally beautiful, tragic or simply somewhat innocuous on first sight. There is actually poetry in each day of our life, in everything we see and do - if only we pay attention and engage with it in a way that allows us to fully appreciate it. It's all part of an over-arching process that is an ongoing journey through life. Each tiny patch of the quilt is worthwhile. This is how I'm trying to live, and poetry is a great reminder of this truth.

The best of poems express this universal truth, whilst also being extremely personal. Poetry is therefore a written reminder of the search for 'the middle way', as I keep rabbiting on about. A balance between the universal and the personal - living with your own importance and unimportance simultaneously. Living 'in the moment' and making plans simutaneously. Remaining flexible and inquisitive, with a child-like appreciation for the world. Finding a way to live your life in harmony with your surroundings (whether people, places, things, your own messy mind...) By extension and by virtue of it's personal nature, poetry also comments upon the way in which we inwardly paint the world around us according to our subjective viewpoint.

The complexity of poetry teaches delayed pleasure as opposed to instant gratification, something which I'm struggling to internalise and absorb into my own life day by day. Poetry is like plodding onwards, through highs and lows, just soaking it all in and appreciating everything. Realising how lucky we are for each and every moment, and always remembering how little we actually 'know' about anything. That poetry is so personal, allows the reader to embrace this unknowing - we know enough when we are aware of this.

So a good poem teaches all of this. It's a shame that due to language barriers poetry cannot be entirely universal, though when translated it should still be, regardless of era, subject or how personal it is simultaneously. The rhyme and rhythm of poetry is essential, adds a certain beauty and imprints the words upon your mind. How much easier it is to learn lines of poetry or song than standard sentences? Therefore the rolling rhythm of poetry is a huge factor in what I take to be a good poem, and I prefer poems packed full of this, rather than the abstract verse of some contemporary poetry. To me, poetry is supposed to be read out loud wherever possible.

My favourite poets at the moment seem to be Tony Harrison, Sylvia Plath, Emily Dickinson and Blake. Personally, I like a bit of narrative to my poem and sparse, uncluttered language. I can't quite work out why this is, but there is something quite satisfyingly round about a good poem, you are left with the sense of having gone full circle - despite not always completely understanding the circle's mysteries.

I value a bit of black humour or the juxtaposition of beauty with disgust in a poem quite highly! For example V by Tony Harrison, Blue by John Siddique, Mirror by Sylvia Plath ... These are two factors which are intrinsic to the human condition; laughter and appreciation of beauty in the most unexpected of places. What brilliant abilities! It restores your faith in the human race.

Sorry to go on. Are you going to Leeds Film fest tonight? Drop me a text if so.

Love xxx

Saturday 7 November 2009

house on a hill

the whispering swish of the wind in trees
sounds like the sea to me,
for I live land-locked and dropped
in the centre of God's own country.

it's to the hills i turn
to feel free; inviting mounds of
mossy green with blobs of autumn mustard,
scattered over lumps and bumps

that cry out to be discovered,
covered in boot-clad feet
made for walking in peat-bogs.
i want to know these here hills like
the back of my hand.

i stride out above
to escape this strandedness,
feet moving, regardless
of my twitching head.

instead i see the run-down mill,
the field upon field and farmyards,
the friendly sight of future hills rising
and the manure which fills

my nostrils with beautiful disgust.
i meditate upon the rust of
a broken-down tractor,
there's an aged house just here on the hill;

overrun with spiders and the
creaks of anscestral toes and feet.
how many toes can a person love in a lifetime? there's an aged house here on the hill,
and one day i might
live here please.

Friday 6 November 2009

wanderlust and romanticism

i want to go travelling. i want to experience different cultures, landscapes, people. all the different sights and sounds of a 'full' life. i want to sit in a rocking chair when i am old and grey - regaling my grandchildren with fantastical stories of my experiences. the things i have seen and done, the crazy situations i have found myself in, the vast kaleidoscopic multitude of variety within my long and chequered history. i would like to have such a life story to tell.

i want to know that i have given life everything i can. that my interests have been varied, because only boring people say 'i'm bored'. how right my mum was on that one. i'd like to have at least one great love. despite two four year relationships, i don't think i have experienced this yet, though the second one was a hell of a lot more on the right track! i would like it to be somebody who shares my love for the arts and for nature. somebody with their head in the clouds and their feet in the earth, like me. someone who wants to walk over ogden moor, travel the world, but most of all, somebody with whom i can simply be me. does this kind of relationship exist, or is it a fairy tale?

my mum reckons she's had one such relationship. but that he was too unstable so she knew it would never last, because she wanted a stable family for her children. (ha, she didn't get that either!) how strange it is how life turns out. you really can't plan it. but it would be nice to experience something like that i think. i never knew i was such a romantic.

anyway, for now i am enjoying being on my own too much. i'm learning lots every day. this single time really was way overdue. i find that i can think more clearly about what i want. it's such a relief after so long of living under a haze. it's also nice being home, enjoying the yorkshire-ness and spending some quality time with the family and old friends. i feel that i need to be fully at home here again, and also at home in my independence again, before i even consider the alternative. so that's where i'm at right now.

the comfort zone

i like to be inside in a safe place when i require warmth and comfort. but sometimes, i require danger. the confusing and scary world outside and forays into unknown territory. it's a worry to step outside of my comfort zone, but necessary. we all have to face the truth sometimes, and we all have to do it alone in the end. much as a childish part of me would like to stay huddled in my cosy home forever, surrounded by familiar things - there is also a larger part that yearns for big adventures, new and exciting landscapes, and the growth that ensues as a result of this. this tension can be called fear, anxiety or apprehension - it is inseparable from what we call the unknown. it also relates closely to excitement, which is the other side of this particular coin.

a picture-perfect protest

I am at a protest,
Smiling, happy and free,
Filled with the joys of freedom of speech,
And simultaneously aware that a conclusion
Will probably never be reached,
But allowing myself the pleasant delusion
That I can make a small change
In this deranged world.

I was an idealistic child,
Kind, big dreams
And nurtured always,
Picked up when I was falling,
Cuddled when I was ill,
For these reasons, I still
Possess ideals, and I am smiling
Here, happy and free.

my indian blanket

my blanket is made from a coarse, thick, scratchy material. not classic blanket material, by any stretch of the imagination. it is roughly a small single bed size, and mainly consists of a light beige background covered in a mossy green checked pattern. the edges however, are much more detailed; bringing in blues, lime green and hot pink in a mish mash of patterning which appears aztec in influence.

at tip and tail of the blanket are the requisite tassels and further detail. the edging is pillarbox red, and if my memory serves me correctly, there's also a sunshine yellow somewhere in there. it shouldn't all work together, but it does. the effect is interesting and unusual, but not classically beautiful, and the blanket is warm, but not remotely comfortable!

so why do i love this oddity of a blanket so much? oh, one complex father/daughter relationship is to bame. when i was about 10, my parents split up. it was the biggest drama of my young life, and afterwards, i was distraught to realise i could no longer count on my dad. visits to his house would be cancelled, when we arrived to find the door locked and dad absent (probably in the pub).

i gave up on him, i came to almost hate him, in that strange, vicious teenage way we reserve only for our parents. he was never there, and he can be a frsutrating character at the best of times. around this time, the poor sod got made redundant. and what did he do but bugger off to india to relive his youth in a mountain village in the himalayas.

he had lived there previously in his 20's. in six months all i got was the odd postcard featuring a religious festival and a huge description on the back that didn't remotely interest my 14 year old self. when he returned, the blanket was amongst my presents. woven by the women of that himalayan village, i was distinctly unimpressed! it bore no relation to my life or experiences, and i thought my dad was an arse, quite frankly.

time and distance have softened the blow of all this, but until very recently, i still associated this blanket with these feelings of abandonment. now that i accept my dad for what he is, we have our own semblance of a unique father/daughter relationship. i have let go of the bitterness, deep down in my soul. i find it interesting to note that it was around the same time i let go of my relationship at the time, that i also found that these feelings towards my dad had dissolved. perhaps i was holding on to something that was over as a result of these unresolved emotions? writing as therapy, who knows?!

i now realise that my dad has also taught me many positive things; tolerance, independence and peacefulness amongst them. my interest in travel, books, music, yoga (and all things indian!) has come in part, from him. the blanket, and my love for it, represents my love for him; all this and more.

having a word with myself

yesterday, i acted like a brat. lost all positivity and everything i've mentally worked for in the past six months in a haze of wants and desires. didn't care that other people had bigger fish to fry and i was being extremely selfish. just wanted to whine like a child about me, my problems and what i was doing with my little life. my poor mum, every ready with a shoulder to cry on, despite the fact her father has just died. oh dear. i apologised this morning, when i woke aware of how ridiculous i'd been. she brought me here today in the car, just before she drove to manchester to visit my brother. my old student stomping ground. setting of a time when life was simpler and i knew i was doing something worthwhile. or did i? who knows. at the time i'm sure i had other stuff to moan about. then when i finished, the world suddenly stopped looking like it was my oyster and started looking pretty damn confusing. where to start with all these decisions?! life is long and full of struggles, but the moments of happiness and beauty make it all worthwhile.

Wednesday 4 November 2009

a yorkshire penny

A Yorkshire man of northern grit
And sharp-tongued wit
Yet slow to speak with
An arm-on-raised knee stance.
On bar stool he's no-one's fool,
Rarely takes an outside chance,
But far softer than apparent
On this first pub-wards glance.

Tight as a badger's arse
But up 'ere where we are, apparently we all are!
For them of few words and few spare pounds
We have a saying:

"Hear all,
See all,
Say nowt.
Drink all,
Eat all,
Pay nowt!"

This stereotype has clout amongst
Air-kissing arseholes
Of 'keeping up with the Jones' ''
Territory. But Up 'ere where we are
We tend more
To compete with moans and groans of illness;
Of brittle bones and perhaps
The odd old motor-home.

"hull, hell and halifax"

... So the saying goes;
A miserable elegy for my Home, sweet home,
A place of pebble dash - and pubs,
Few diamonds - lots of rough,
But who can hate a place, I ask,
Where everyone's called 'love'?

Wednesday 28 October 2009

one man and his son

Medium/rare rib-eye Man has a penetrating stare,
Arrives prompt at one o'clock,
"No chips, no salad, no sauce",
Each Monday, he repeats with force,
"Just steak" and our generic Diavolo,
Spicy, but minus cherry tomatoes,
"And do not over-cook the pasta",
(Whatever you do), is implied by his
Menacing silence.

The cold blue pools which he uses
As excuses for eyes rang bells,
Reminded me of someone else,
A boy from years before
With a personality disorder.
I imagined him a cult-leader, master-deceiver,
And two friends attempted suicide
After spending too much time
At his manipulative side.

Fed something to smoke by Rib-eye Man,
The archetypal obsessive compulsive
Disorder-ing, compartmentalist Dad,
Arabic look and a heavy hand.
When they arrived together my hands shook,
As a righteous youth I'd seen straight through
His son! And as reward I received
Attempted phlegm in face (it failed), but
No wonder I hesitate to hand over his plate ...

When it's accompanied
By a shining knife for his
Dripping, bloody steak.

Tuesday 27 October 2009

portrait of my mother as a young woman

a series of photos; tiny in size, sepia in print
and with the quaintness of polaroids,
all telling the story of one girl's joy
on fistral beach.

knelt in skinny supplication with sand slipping
fingers and wind teasing waves of hair
whilst a teasing smile lingers: her grin combined
with unfathomable stare.

an itsy bitsy, teeny weeny, 60's print bikini,
upon a waist where there was none!
donned by a girl with a face that lacked lips -
typical quip, from my loved, self-critical
and only human mum.

an unobservant bloke thought it was me,
which i thought was a joke. i can see now
that there's something in it though;
the wispy waves, the elfin face, the chinese-eyes!
minus of course, the bemoaned, the groaned
and non-existent lack of bloody waist!

Tuesday 20 October 2009

mysteries of the human race

Why is it that foreign nationals
travel so far, only to find themselves
united by profession - for example,
the oriental nail technician?
or black african, plying
practical hair braids beach-side?
The eponymous taxi-driver or
corner shop owner,
do they seek to stand shoulder to shoulder
with their old compatriates?
Is it strength in numbers,
familiarity, or needs must?

And what's inside these teenage goths?
Are they in mourning
for their own innocence lost?
Cut arms, razor dragged straight down,
'Just get carried away
expressing my inner pain sometimes',
What the fuck?! Maybe it's just my good luck that
this was one inner turmoil I didn't feel.
But what of cults like these?
When we deride the human tribe
as something ancient, less than wise,
"Would you jump off a bridge
if she did? Are you a sheep?", we bleat.

nostalgia

Sherbet lemons and pear drops
in big glass jars on looming shelves
of old fashioned shops,
whilst wheelie men and wishing chairs
roamed free in words and screens -
and the wicked witch of the west
sent chills down tiny spines
even through the thickest thermal vest.

Every day, baby bottles
of milk with blue straws in school,
"Isabel has a dairy intolerance
and must have orange barley water, please"!
I took to the book corner;
there my love for characters took flight
as fantastical tales were spun
on golden looms, by people
with names like Rumpelstiltskin!

With princesses, thieves and merry men,
a mighty battle, a marriage - a happy end,
vague recollections swing by my
half-closed eyes like this.
Us feeding ducks by a babbling brook
in Hebden Bridge - "More, please"
I believed, they sang, as Grandma Lil
tucked me up in an old fashioned navy pram.

Before fish and chips as we flicked
through the Saturday night TV,
when Casualty was really Casualty
and Bruce's Price was Always Right.
It was all kiss chase and hair braids,
playground days making daisy chains
and Victorian dress up days,
"7 times 7 equals what, Brittain?"

When days stretched by like a
Never Ending Story
and ballet shows gave me all the
glory I could ever need.
I named my first pet, a guinea pig,
after my Auntie and Butter
and when it died, Pops thought it was
hibernating for days, the rotter!

What precious days these were,
when a plot for running away someday
could be hatched, with only a few coppers
and a gobstopper.

Monday 19 October 2009

breasts on a beach

From pert, pointed rosebuds which pout,
obscenely suggestive and urging on the
seduction of the lithe, the young;
they're conical, ‘like a virgin'.

Some remain this way infinitely,
others become full, ripe and red red red
like promising apples un-plucked,
but wholesome, loved and tough.

I particularly like those which seem skew whiff,
an oval shape which leans to the left
or right, but never straight,
a symmetrical nipple leaves me bereft.

There's peanut nipples, bullet nipples,
little and large, winking and grinning,
their alertness causing a ripple
amongst surrounding, sun-glassed eyes.

Then intervening years soften to sighs
all these, magnificent undulation
swooping onwards and downwards, like
graceful, tired birds (post-migration).

Through these
the next generation was raised;
suckling like the animals we are
we all began here.

Consequently, I cannot swallow the sight
of the hard, round boulders
which reach for bony shoulders.
I am distressed as I pretend to read.

Sunday 18 October 2009

living the (teacher) dream

i distinctly remember being VERY upset and defensive whenever the following conversation took place.

some person: "what're you doing at Uni?"
me: "english".
some person: "ah right. what you gonna do with that then? be a teacher?"
me (internally): no fuck you arsehole! i'm gonna do something glamorous and amazingly exciting, not teach little shits Shakespeare!

so yeah, stuff changes, you grow up! nothing glamorous or amazing magically turns up and you start to consider teaching (usual reasons; job satisfaction, security, holidays and so on...) sounds like a simple formula. except it's not really that simple.

i was ill a few weeks back, and my friend (who is quite the spiritualist), said to me "i hope you're feeling better soon - pay attention to your dreams when you're ill, they're important.light and love xxx". i took heed of this because bizarrely enough, it was only a couple of nights before this that i'd had the teacher dream. in it, i was an english teacher at my old high school. i'd never considered senior teaching before so this was a revelation in itself. i absolutely loved it. it was a brilliant dream and i woke up thinking 'oh my god! i need to teach!'

obviously though, you cannot 'live a dream'. such a concept doesn't exist, even if you're a rock star. there are downsides to everything, and whatever life you end up with becomes normal to you. living a dream is a con. so i was suspicious of how wonderful everything was in the dream. i was doing all sorts of creative stuff with the teenagers, which is probably unrealistic when you have so much ground to cover and so many exams to prepare for.

but let's not be negative, looking into teaching is actually borne of much more complex reasoning than the old stability/fall-back route reasons. it's all tied up with my new philosophy on life (see 'to the zen dog' for further information!) it's seeing life as a journey - living it, but not really expecting to 'get anywhere' as such. understanding life's impermanency so nothing is forever. feeling free to change the course of events if need be (i'm young, free and single! woo hoo!) obviously, this course of action is hugely influenced by my belief in education for education's sake (a brilliant philosophy hammered home by my mum many times over).

it's to do with wanting to put something back into the community and share my own passions. it's also related to other things i may like to do in the future, such as creative writing in the community/something community arts related. i'm slightly concerned about the targets and testing culture in schools, which i'm not sure i would get along with. however, perhaps once qualified i could look into alternative methods of schooling? i don't know much about it right now, but the montessori/steiner waldorf schools seem to have an interesting viewpoint on education.

hmm ... what to do with my life? that old chestnut! it's all good, i think things are moving slowly in the right direction. just one day at a time and always enjoying the ride! "when i let go of who i am, i become what i might be". wise words, whoever said them.

black, white or grey?

Lora White
always shades of grey...........
October 9 at 12:59pm · Delete

Isabel Brittain
That's what I think too, but just doing a bit of research
October 9 at 1:12pm · Delete

Nataraja Sutherland
Don't think feelings are just black and White
October 9 at 2:01pm · Delete

Elise Norman
Even black can look white in certain lights (look at a binliner - parts of it will look white) and vice versa...beauty / black / white is in the eye of the beholder!...it depends whether you're talking about primary or secondary qualities (primary = inherent, actual, secondary = our perceptions of them and whether these are reliable)

With regard ... Read More to human emotions / situations, firstly humans aren't binary, second kinda depends on whether you believe in free will or determinism. Blah blah blah how bored am I?!! Hope you're well hun, you jetting off to the slopes again this winter? I can't wait to go again!xx
October 9 at 2:16pm · Delete

Eduardo Collinsio IV Esquire
Even the colours black and white arent simply black or white, nothing is ever so simple I think, but its sometimes good to think of things in the most simple way possible...thats my 10p's worth

Nataraja Sutherland

A chess board is black and White!!!
October 9 at 2:55pm · Delete

Tim Wilton-Davies
In theory things are digital but in reality everything is fuzzy, analogue.
October 9 at 7:45pm · Delete

Isabel Brittain
I believe that life is one long, large grey area and that we shouldn't presume that anything is definite or fixed. Confusion, circumstance and variety are in the general nature of things. However, utilising this same logic it's impossible to reach a conclusion about anything (including whether or not anything can be black or white). A spade could just be a spade, or it could be a bloody wheelbarrow. That's why life is so flipping complicated!!
October 11 at 12:59am · Delete

Lee Rothery
I have a pair of dice that disprove this
October 12 at 11:18pm · Delete

Lee Rothery
It's the rich tapestry..I believe its black, white, grey and sometimes green, yellow, blue, it's a bloody rainbow, a never ending rainbow that shouldn't be questioned. Just enjoy it for what it is..I'm so excited for Thursday!
October 12 at 11:21pm · Delete

Friday 16 October 2009

the buddha's monologue

I sit, fat and bold,
Wooden but not cold
In a corner, here,
With rippling folds of sculpted skin
On a shelf, by the windowledge.

I am an icon,
Religious, revered (but never feared),
Merely a statue, here.

You look upon me as a comfort;
"Every house should have a Grateful Dead CD and a Buddha"
Said Stevie B - he was speaking of me -
That tall, silver-haired one with a stoop.

I just sit here
And if I imbue a smile,
As a specimen of a more balanced
Empathetic life,
Then I am pleased.

I know what I represent,
The ideals that my form defends,
"Worship not false idols', they said,
But in the end, who's to say what's false
And what's not?
Does it matter alot?

If I can induce a feeling of peace
Then my stock-still life has been worthwhile,
I feel my power in hours of desperation;
I may not move,
I may never walk, or run,
Go out dancing for sheer, unbridled fun,
But I am aware, all-knowing,
My purpose is true,
I just like to keep the love flowing for you.

the french girl

I ducked down behind the wall, throwing myself onto the concrete thankfully. Licking my lips in an expression of fear, I sat perfectly still and contemplated the events which had brought me to this hiding place. I had first spotted her coming out of Tesco’s three weeks and two days before. She was wearing a mustard yellow coat with over-sized buttons and matching navy hat and gloves. Fashionable, I’d say, and elegant, certainly. In her hands, and weighing her down, were two well worn, re-usable shopping bags, emblazoned with the words ‘respecter pour la nature’. Was she French? I had wondered, intrigued already. She was enchanting, all slit-eyed and angular in the face, with a tall, statuesque figure. An aloof and intriguing Parisian, perhaps? Maybe she was a student, learning English at one of the Universities?

Or - and this was my favourite - she could be a dancer, she definitely had the lean, highly-trained body of one. I imagined the delicate, feline grace of the movements that this wavy-haired, quiet beauty would create. My breath caught, as her kind, twinkling smile startled me from my feverish reverie. She emanated friendliness and I knew that she was the kind of person people warmed to. Unlike me, so very unlike me, but opposites attract right? In response, I slowed as I passed, and for a moment I thought that she would speak to me, with rolling r’s, and i’s like long, drawn out e’s. When she didn’t, I hesitantly opened and shut my mouth once or twice, but no plausible conversation starter formed. She seemed not to notice, and so I watched her cross the road, stopping briefly to swap the bags in her hands as she entered the park, before disappearing from view.

I was furious with myself for days afterwards. What an idiot, I kept thinking. What a bloody fool. Why couldn’t I just have spoken a normal everyday sentence – a point of contact at the very least. Nothing flash, just ‘lovely weather out’, or simply a pleasant ‘hello’. Anything would be preferable to that open-mouthed, face like a fish expression that I had such a capacity for. But as usual, it was too late, and I had let the opportunity drift away on the Autumn air. At the bottom of my thoughts, was the niggling knowledge that I shouldn’t even be attempting such things anyway. I knew too much to put myself under the pressure of forming new relationships so soon. But I felt so fine now; the seasonal shedding of the old that was evident all around had made me feel fresh and new again, and the French Girl was beckoning.
I walked home, hands in my pockets and taking care not to step on the cracks, with an agitated emptiness of white noise blocking my ears. In the hospital, I had been taught ‘coping strategies’. Coping strategies for a solitary life - stuff that, my mind screamed. And when I was so positive that she and I would get on - I pictured The French Girl again. She would share my love of Georges Bizet. We could wrap ourselves in a cocoon of friendship and sit on park benches enveloped in its warmth. She would introduce me to the best French cuisine in a little known café, and I could impress her with my extensive knowledge of her nation’s history. We would walk everywhere, arm in arm, heads close together in comfortable intimacy, as we discussed life and love in all its techni-colour glory. I was aware of the contrast that this image struck with my own existence, but I never gave up hope that the rosy glow of well-formed relationships would one day cast its light upon me.

Back at home I twiddled my thumbs, switched on Countdown, and made a cup of tea. Three rinses of water when I filled the kettle, milky, my favourite red mug (free with multi-packs of Kit-Kat some years before), and two shortcake fingers on the side. I washed everything thoroughly afterwards, and began to feel a little better. Concentrating on the TV and the rhythmic rolling of Carol Vorderman’s voice soothed me. I cleared my mind with numbers, sums, and order. I have always liked balance; equilibrium is my favourite word. People may think I am weird, but I can’t bear chaos. A long time ago it wasn’t like this. I had plenty of friends – I was normal, bright, and loved. But out of nowhere came the mood swings, the loss of focus. Then the swirling confusion, the worsening panic attacks, and in the end, the incident concerning the girl in my halls and a series of letters. I only wanted to help her, but it all went horribly wrong somewhere.

However, that’s not something I think about now. They said that I have repented enough, that nothing good can come of constantly rearranging the events in my mind. What’s done is done, and I can only learn from it. Thinking thus, I was content as I prepared for bed. I knew I was a good person; I just had an odd way of doing things. Looking out over the park, I wondered what other lone souls were also staring out at the black, starless sky of the London night. It was a faceless city, and I knew a foreign girl would need a friend - somebody to protect her vulnerable beauty. I arose early on autopilot; packing beef spread sandwiches and a flask of de-caf into my back pack along with my latest historical novel. It was about the other Boleyn, sister of Anne, and I thought it was disappointingly evident when reading it that women’s relationships hadn’t changed much. I walked towards Tesco’s, and settled opposite on the low wall of Natwest, which would be my vantage point.

I watched and waited for days and weeks. I left for food and bed in the evening, but I couldn’t sleep. Insomnia had always been a problem, yet on the wall things were peaceful. I enjoyed watching the world go by; I studied the people who passed one by one, wondering what their lives were like. Every so often, I would get out my pocket watch to check the time. It was an antique left to me in my Grandfather’s will and I treasured it. Sometimes I stared at it with such intensity, that I was almost positive that in that moment, I could have made time move. It was a thought that was both tempting and repellent. It was at a moment like this, after three long weeks on the wall, when I finally saw The French Girl again.

She was getting off a bus, a huge pile of library books in her arms. So she was a student. I stood up, walking discreetly along behind her at a reasonable distance. I had no plan, but felt strangely calm - a rare moment of tranquility. A few seconds into the park full of twittering birds, the girl dropped one of her books. She had been struggling, and it just plopped off with a satisfying plunk. I scurried forward to help, breathless with excitement. She looked at me a little suspiciously, but smiled a small smile, and nodded her head in an acknowledgement of thanks. I then took the alternate fork in the paths across the park, and swung back when she was almost out of sight.

She rounded the corner into a row of tumbledown and scruffy Victorian townhouses. She glanced back occasionally, and terrified that she would think I was following her, I slowed to snail pace. Inside number nine, she put on the TV and made a cup of tea, I imagined, just as I had after our first meeting. Eventually, I could bear no more. I marched towards the door, and rapped hard twice with the knocker. My whole body shook that she would not answer, and that she would. Seconds passed and my nerve was lost. As I stepped down onto the pavement to retreat, I heard the lock sliding open. Unthinking, I ducked down low behind the wall that shielded me, throwing myself against the concrete thankfully. Heart in my mouth, head in my hands, I contemplated the events which had brought me to this hiding place.

starting to write

i've recently begun attending a short creative writing course as part of the 'word of mouth' calderdale writer's and reader's festival. it's just what i needed at a time when i've finally started to see my literary ambitions as something to fully embrace. it's no longer something to be embarrassed by - if my writing is crap, so what? i enjoy it and express myself if nothing more and being scared of failure is no reason not to at least attempt to follow your dreams.

the course also comes following the recent revelation that i don't have to be unhappy to write! in the past, most of my most prolific periods have been during bouts of mild depression and general misery (if my pathetic self-pitying wallowing can be called that!) i now know that this is not the case, that creativity is not borne primarily of strife and that i don't have to be such a bloody drama queen. i will always be a drama queen anyway, but that's another entry entirely.

looking back at my old blog i found the following dramatic pondering on poetry and art. i still think 19th century American poet Carl Sandberg, was spot on when he said that poetry was 'like the opening and closing of a door, leaving those looking to guess what is seen'. this could surely apply to any kind of work of art?

it's interesting when reading the remainder of the post in relation to my recent change of perspective and shows how easy it is to mistake drama for truth and tragedy for art. not that i'm suggesting this is never the case, just that it's a restrictive, singular view of art and the world. there are other options and perspectives, but for some reason this is the one that stuck like a scratched record in my head for years ...

Nov 02 '07
The guy writing the article (Larry Towell - a photographer) comes out with a few belters of his own.

He writes of another photographer;

'[He] has documented many world tragedies ... yet he has not hardened his heart because, in the cobweb of political deceit, he manages to find a seed of truth. For every act of hate, there is a revolt against hate; for every act of violence, there is a revolt against violence'.

And from here goes on to say;

'Photographs remind me that a photgrapher can redeem his own existence, and the existence of those around him, by observing small beauties and hopes in apalling times'.

Those quotes apply to any kind of portrayal of tragedy through art, be it through photography as in this case, or through any number of other mediums.


let's leave behind the poetic tragedy of pondering again and return to the here and now. the teacher of the course is a writer called stephen may who has written a novel called TAG, a guide on how to teach yourself creative writing and also has a couple of plays under his belt. one day i hope to be able to make a living from my own attempts at creativity. i'm starting tentatively, but who knows? the beauty of our journey is that we have no idea where it will lead. stephen may is the first, real-life, published fiction writer i've met i think, and it's inspiring. even at university, i don't remember actually chatting to any writers, and it makes it all seem so much more within the realms of possibility.

which brings me to the memory that there was a poet who lunched at la luna recently... what was his name? ross kitely, i believe, though i googled him to no avail so i could well be wrong. he threw a few interesting words of wisdom in my direction that day.

i asked him what he was writing since i could see that he was reading a book of poetry written by women, and at the same time scribbling away. to which he replied that he was a poet, writing poetry. intrigued, i muttered shyly,

'i try to write poems sometimes'. he laughed a little, and said challengingly,

'come on, you either write poems, or you don't. simple as that. which is it to be?'

since then i've been (silently!) repeating the mantra 'i write poems' daily. soon i'm hoping i will also be able to muster the ounce of self-belief required in order to repeat 'i write short stories too'! and one day, i know i will be staring into the mirror with a look of steely determination in my eye - murmuring positive affirmations and visualising the fantastical objective of a completed novel. any novel at all, really, even a crap one would do! it's really only a very recent phenomenon that i can admit to this desire, so deep has it been buried in my psyche; along with dolls, enid blyton books and other remnants of my childhood self. how dare we dream?! that's what adulthood seems to teach.

however, i can't deny that many of the qualities required for writing are learnt in later life. of course much of it is imagination, but a massive amount of it is hard work. i'm a little worried that i don't have the stamina for a novel really. i've flitted about like the little faerie that i am, enjoying so many different pastimes, and i have to wonder - is this really the one? not so long ago i was convinced that i would stay in the mountains forever, frolicking in the snow and organising freestyle events with a little hospitality management thrown in as a back-up. prior to that i was completely and utterly lost. preceding that i almost sold my soul to the pr industry! at intermittent times i'd like to just sell every last belonging and travel the world as a free spirit, amassing wealth in the form of experience as i go. once upon a time i was going to be a prima ballerina, or alternatively a spy for mi5. i am 'interested in a lot of things but committed to nothing'? as for shantaram, this has been my constant anxiety. lately however, due to finally getting an inkling of perspective on myself - i've genuinely come to realise that the one constant, the one thing i always come back to - is writing.

a while back i read and saved an article written by murakami on the similarities between long distance running and novel writing. there were several parts that struck a chord - including his unconventional description of his 20s as 'ten tough years', without which he doesn't believe he would ever have been able to write novels, even if he'd tried. one particular quote always returns to me;

'writing is itself mental labour, but finishing an entire book is closer to manual labour'.

maybe someone should write a self help book for struggling writers? there's a definite gap in the market and there's no doubt that there are enough of us to allow bestseller potential.

Thursday 15 October 2009

a scarf short of a sandwich

People are strange, sang The Doors,
And they was bang on, Mom, don't ya think?
Ill mental health for one in four
And we all just gotta hope the floor
Doesn't open up -
To assist us in our will to sink.

And the sane are few and far between
If they exist?
I'm doubtful Doctor, that many minds
Live in a 'normal' realm,
It rarely seems to be
Something we can outwit.

Drug induced or genetically anxious?
Panic attacks or a lifelong madness lived?
In which beside yourself, you sit,
Trying to make the pieces fit
On the jumbled jigsaw puzzle
(That's your brain).

Does anyone really float
Through life on a hardy boat oblivious
To all kinds of mental delirium?
Staid, placid, steady away,
Impervious to the madness
That surrounds their steadfast steed?

And "Why do you wear that
Thing on your head?" I said, intrigued,
"For protection of course",
"But protection from what, my friend?"
"Exotic birds and stuff",
And the next time I saw him

He'd shed this scarf,
I don't know what this means.

taking up arms

Justifiable, ever?
And looking to the skies above
Never helps. How to answer this?
We've yelped, for century after century
Of tired, war-time reverie,
How to let go
Of year upon year,
Generations of low blows
And bombs dropped
By one side or the other,
It's like a lover's tiff grown big -
Magnified ten thousand times, until
Who knows what started it in the first place.
The circle of life goes on like this,
Ironically opposite to the joy of
Elton in Lion King!
With each newborn, it ain't always joy
But a seed of conflict that lives on,
Becoming a bloody declension
Of feud, counter feud, guerilla warfare
And the artifical separation and division
Of Man, until ...

BOOM, utter annihilation
In a grey mushroom death cloud
Which scatters vegetation and human matter
All over the place,
We will all find our shroud here,
As the four corners of this space
We thought was ours, stands destroyed,
And in the final hour we'll see, at last,
It's not you, or him or me,
But us! That matters,
For the only so-called sentient beings
We're mad as fucking hatters
It seems. Oh please!
Let's not flatter ourselves
With notions of next level concepts and
Pacifist philosophy,
Very few of us have the foresight
And dedication of Ghandi!
Let alone a truly equalized love
For all humans.
For this would truly be humane,
And it's plain to see from the historical scrolls
That our race is far from tame;
Belligerent and boastful,
Arrogant yet remorseful,
We'll go on until
BOOM - utter annihilation,
Where fuck all remains.

i am a feminism

hourglass-shaped and fair of face
with whirling curls, long scratchy nails
and an itsy bitsy, teeny weeny waist.
with glitter and dyes and all things nice,
shoes with elegant, crippling heels and
worn by a being with a deeper propensity to feel
empathy? than their counterparts.
it's biologically proven; life-givers are surely,
by nature, upstream swimmers
created and fated to nurture our young.

in my understated way
i consider myself a feminist,
still today, it’s a mission which is necessary,
i’m not being contrary or facetious
just stating a fact,
and if you don’t like it boys, lump it!
i will go on blowing this bloody trumpet
for Womankind,
i only wish i could be thus without the misconception
that there is some deception involved,
some master-plan for female domination
(yeah right!) i’m fighting a good fight,
i merely believe in equality,
a woman’s right not to be marginilised
in-or alternatively-advertently
by mtv or militant factions;
the taliban; for relevant
contemporary example.

i want to have a hand in ending the violence
which still occurs, year on year
(the statistics speak for themselves, my dears),
there are plenty of ladies out there
living under different laws than we
and harbouring an age-old, visceral fear
against sublimination, the potency of
degradation -
can you hear her collective call?
we live in a global village after all, girls.

the Vagina Monologues, the various books –
all ‘Written on The Body’ of ‘The Second Sex’,
over these, i wept, again and again.
is it a matter of education, culture, nature or nurture?
my question was answered, mid-kitchen,
where trolls in the glen were consorting again –
and ‘ah, i see’, said murat the chef,
post dissection and explanation,
‘you are not man-hating lesbian -
and in that case, i am a feminism’.

the last of you

i have left the last of you
in france, amongst mountains and a pub,
the site of our love's last dance,
we gave it more than we should -
some second, third and fourth chance.
before it finally flew away, that persevering dove,
i gave it a shove on it's way,
so did you, when we both played away.

you wouldn't let me be true, you see,
you understood so much,
but only a little prickle on the tip
of the confusing pickle i was in.
i had to leave to live,
on this we both insist
agreement,
endearment,
and fond, faded memories linger
as i point with a finger
to the happiness that ensued
in both our hearts
when we departed each other
and started again.

alone, but together,
in more honesty than ever.

freedom of choice

Hereditarily tainted and
Horoscopically weighted
Towards over-sensitivity, home-making
And procreativity -
What law is this?!
That insists we are but product,
Nothing new, me and you,
Not an unblemished seedling, a newborn,
But a culmination of feelings not our own.

That thought elicits a yawn from me,
For how can we face dawn each day
With the requisite freshness, energetically restless,
If we feel there is no choice?
There must be another way,
A place where freedom is voiced,
Not a karma hotel or a bottomless well
Of idea, theory, such crap as heaven and hell,
Oh the stuff of language serves well
But for one thing –
expressing not the wordless notes
we hope to sing.

the stuttering healer

Seeing pain everywhere is a curse
But much worse, if you envisage
The source of this as
Having an alternative,
A utopian world of light, great loves
And three hugs a day!

This feeling sways mountains
From simmering darkness,
But it's all much of a muchness
If you can only mutter
Half-held hums of a feeling
That forever resign you
To stutteringly healing.

finding yourself

We talk of finding 'ourselves',
a well worn phrase
suggesting a search
for identity, meaning, or more often
freedom. Like bluebells,
it floats away
as we land amongst
the waifs and strays.

Values are kicked to the kerb,
Nerves frayed by years
Of Searching For Something -
To be or not to be?
And what was the question?

dancer's heart

The long, lean limbs of a dancer
Prancing taut, throughout the room,
Immune to the eyes that follow her everywhere.

She learned long ago not to care, for those
Who could not bear her beauty -
Wanting only to use it, abuse it.

Hate her/revile her,
They tried every torturous device
But they could not scar her.

Her spirit was strong,
Enamoured of music and movement
She lived in unspoken communication,
Releasing endorphins, the denouement of which
Was elation.

One limb of hers speaks infinite words of wisdom;
Sprung from an urge uncontrollable
She dances, no longer doubtful
As her body writhes in time with
Beats and sounds.

In tune, she drops out
in this, the eternal, primal shout.

concentration/escapism?

In chess, for example,
people are different.
Focused, immune to the room
surrounding them.
Keeping eyes fixed on the pieces,
realising the importance of every move
they make.
Yet not quite intent:
as we all should be
more often
in life.
Unblinking,
on a different level,
but not escaping, in drinking,
drugs or addiction to fallible notions
Of Love.

talking to strangers ...

is a favourite pleasure of mine.
in fact, i would even consider it
a pastime, which when indulged
allows both to discuss what we must,
learning worlds from one another
with the camaraderie of long lost brothers
(and sisters ... why do they always put it such
anyway?) and so be it if sometimes,
my innocent, friendly overtures
are met with disdain.
i try not to let this cause me undue pain,
for more often than not
a smile, a few words,
an interesting exchange
takes place,
and on some level,
we're all one and the same.

and what is life without this?
the interconnection between
two directionless souls,
the fleeting moment of alliance,
a wholly human defiance
against the solitary nature of things.
i often think, if only we could sing this song
together more often,
suspicions would soften.

to my favourite poet

In the twilit dancer's night
We had our first creative fight,
You said you lived wholly in poetry
In a world of verbs, rhymes and metaphorical signs,
Immediately, I disagreed
With what I perceived to be
An extreme philosophy.

I attempt daily to tread, a wire-fine line
Between a lonely word-filled world and reality.
Writing poems every once in a while
And hunting for the middle ground, whatever that means:
Directions/suggestions on a postcard please?
I keep a check on my tendency
To be dramatic, frantic, manic even.

As afore-stated:
A kaleidoscope hides inside my head
There shards of colour live,
Behind temples - varying roads exist
And if I lose my grip
It will be my sanity I kiss
Goodybe, on the swirling hallucinogenics
Of this almighty, inward sky.

So ... I require
8 hours sleep,
Several long, brisk walks
Per week,
And a balance between
The words and
The ordinary world.

I know what my souls needs,
I am the practical, pragmatic poet
And so I dutifully plant the seeds
Water it, daily,
With mental preparation,
Exercise, always checking
That I'm on the right side
Of the invisible line.

Engaged, but disengaged
Enough to create
It's an art in itself to find
This hidden shelf
Of balance,
All the way back in the dark
Of my bizarre little brain.

Somehow, running, walking, yoga
All of this. Has become integral
To my mental health
As I strive each moment
To no longer torture myself.

on the mountain top

The weather and wildness of hostile environments
Was where he found his home,
Like Ray Mears, he sought to live beneath
The open skies, a quiet, austere life
Amongst majestic mountains
With fountains of knife-rocked tips
Forever attempting to slit the new sky in two.

But even the wanderer gets lonesome sometimes
And eventually we find, a home is not a home
When we live there alone.
And the top of a mountain
Can seem an inhospitable place
With wind battered rocks scattered
Across it's awesome, snow-struck face.

We respect it, fear it,
Feel it's supremacy within,
Yet something drives us to conquer this,
To scale it, race it,
With a single aim in mind -
To absorb it's earthly power beneath
Our human feet.
To resist the urge to retreat,
To stand, all-seeing at it's summit,
To be above it -
This world, these clouds
And all our mortal doubts.

It's a con of course,
We must never presume to know anything at all,
Least of all, that we are ever
Exempt from nature's cruel, indelible force.

lessons in love

Dandelion love was strong and staid,
accompanied by a stream of sun-blessed days.

A simple boy, with uncomplicated ways,
like a fresh-baked loaf - he was hot, when sold.

His owl eyes were saucers,
eager, always, to hold a cup of our dandelion love.

Poppy love was obsessive and drugged,
an opiate passion bringing soaring vistas for star-crossed lovers,

Entwined in eternal embrace we were unaware of others.
Lost inside consuming desire, with roots like weeds
which lacked love's wings.

Beware the poppy; enigmatic with inscrutable ways
and empty eyes that wait like flies,
eager, always, to catch a greedy gulp of your poppy love.

a warning against fairy stories

mother's always warn
pf wolves in sheep's clothes,
men with eyebrows that meet
in the middle,
and anyone who calls
the violin, 'fiddle'.

beware
the golden hair,
the brown owl's eyes -
do not be fooled,
remember, always, the golden rule!

for there is no riddle,
it's written in stone
somewhere (over there)
'every (wo)man is an island,
not one of a pair'.

notes on relationship

i'm trying to learn, not equations or Shakespeare, but how to be free - in the true sense of the word. pleasure derived from desire lights all too easily the funeral pyre, called thought. and life is frought enough with pain, misery, conflict and suffering. these we are taught from ages past of rage against the machine we find ourselves in. the subliminal conditioning that prevents us from ever experiencing True Love, in the immediate, spontaneous sense. where conflict has no place, where peace and love could truly live amongst our human race.

i strive daily to short-circuit the negative emotions which hinder the light of love. i mainly try to see myself, or i, as nothing but flux. a being at once, both whole and separate. trying to fly with clipped wings, through a learned process of thought and preconceived notions of what real life is.

thought process - memories response to lifetimes of accumulative woes, experiences, knowledge. what happens when it's stopped? is blocked? not when you drive a car but when you SEE, clear as an indigo ocean, that the me and the image create only limits. belief, conflict, psychological content, are one and the same. we need freedom from this skewed perception of truth, shallow, repetitive as it is. and then, when relationships lack such roots, perhaps we will find an alternate mode from which to view reality - from whence we accept, understand, and are liberated from life's bittersweet impermanency.

freedom, that sought after feeling, or is it emotion? not to be found in freedom fighters or highly esteemed writers. but often hiding shy in a blustery wind or a face up-turned to sky. freedom, that sacred thing for which the caged bird sings. this thing, inexplicable and irrevocably pure. but are we sure? does it really exist? sometimes i snatch a glimpse, a moment of illuminating white. a blank, bright light, where nothing really matters, but this.

sleepless nights

Turning into a night owl,
it seems I've fallen foul.

The hours pass like friends
long lost to far gone woes.

The minutes pass as love's
first throes distort.
And tick tock, tick tock,
strikes the mocking call of

the watched clock,
it continues, merciless.

As night falls words whisper
to me in darkness

and the orange glow,
doesn't help to haul

me into the oblivion of sleep.
I desperately breathe deep,

understand need and release,
let it escape through the attic window.

I sigh my limbs into submission,
make my confession.

Drift into the bodies' rest;
the mind's
final, and grateful delirium.

ode to the poet

Poems, too, are like tattoos,
once paper to pen, is put
idea / desire fuse,
and the poet has nothing to lose,
with one foot in this lonely writer's world
and one foot in his shoes.

the kaleidoscope

a kaleidoscope hides inside my head
there shards of colour live,
behind temples, varying roads exist
as a long goodbye
to childhood i kiss.

rainbow spectacular behind my eyes
so though they're wide, i cannot see
just burning shapes in angry reds
as a profusion of paths
grow tangled in my head.

cacophony

A series of harsh, discordant sounds
gloriously inharmonious in their delivery.
I enjoy the internal series of 'c' sounds,
nice and harsh like 'ark'
or for example: the clickety clack
(of a cricket bat) and the crickle crackle
of firework rattle.

Yes Cacophany,
can be this series of 'c' sounds
without which clip clop
could flip flop,
And callous would not sound so
satisfyingly round
for it's synonym.

Cacophany,
discordant and dissonant,
the black sheep with unruly bleat
and generally describing the din
of a hundred children in hymn -
but without which,
their curly wurly's and treasured
twirling would not look and sound
so round, like their namesake.

Oh Cacophany,
your hoots, cackles and wails
entail more than straightforward harmony,
your beauty rests in unapologetic,
uproarious imperfection,
for this we love you so.

Cacophany -
what an indefatigable world
you live in.

Wednesday 14 October 2009

black sand beach
















Above grainy, black sand
lies a settlement of cave-dwellers;
bohemian-gypsy-beach-lovers
with a bed under the stars.
Sun-bleached, few clothes and matted locks,
their little home an additional beauty to the landscape.

There I ache to watch these waves break
each morning, noon and night,
to hear this sea sing,
crashing unknown boulders
from my bewildered shoulders,
as sparks of sunrise cleave to twilight.

I would care for this sand in my hair
and bare, brown days spent star-limbed -
suspended, up-ended from routine -
by a rising and falling upside-down horizon
observed often, from eye level.

Imagine I, drifting free,
submerged in salted silk.
Fluffy intervals float lazily overhead
and a careless coastal breeze
defeats impassive sweat,
raising goose-pimples, hardened nipples

and a single, sunless shiver in days
spent under warming rays
on this black sand beach.